The YU art center smartly draws itself in analogy to PCVA, a revolutionary art center in its day. To understand the relation, YU offers a show of some of the PCVA documentation. With smart artists a curators then, the center picked artists to show that today have been firmly acknowledged by history. The art world is more complicated now: professional curators v artist curators, gallery representation v self representation, commercial curation & art fairs v non-commercial international bieniale, local v international, social work v material work, and more. So a non-collecting art center today will be different. Tonight YU shows some of the PCVA documentation archive, shows off the start of a new art library and launches an issue of friends' Veneer Magazine. At YU Contemporary www.yucontemporary.org 800 SE 10th 6PM-9 Free
Global Alien has landed at Gallery Homeland! These artists in residence: Youngjoo Cho, Thorbjørn Reuter Christiansen, Lizza May David, Marte Kiessling, Namsee Kim, Kuo-Wei Lin, Jakob Schaible and Jae-Hyun Yoo, investigate The American Dream with their project Hope and Failure. Well worth the trip to Homeland's website for more and a visit to the gallery tonight. At Gallery Homeland www.galleryhomeland.org 2505 SE 11th x Division 6PM-9
In the 811 building
Golden Rule continues adventurous curation with Blisskreig, by Violet Aveline and Matthew DelBello. And Golden Rule gets the copywriting award for the month: "The coactive spectacle finds root in a fascination with mythology and folklore and emerges from a modern composition and electric color palette. The nontraditional figures and landscapes depict a somewhat paradoxical friendly violence. Nightmares of charm take shape in a post-industrial wilderness of a controlled disorder.
A wife and mother of two small boys, Aveline, who also enjoys experimenting with guitar, drums, flute and electronics, is working on soundscapes to accompany the vision she and DelBello have created. Also available this month: a fort to sleep in, screenprinted and designed by Aveline herself. Guests are invited to stay the night in the fort to get the full enchanting dream world experience. Stop by to register at your own whimsy.
Golden Rule’s object/artifact curation will marry carnival with classic--a well-tempered vintage collection paired with a retrospective: adult versions of the clothing you stole from Mom and treasured in your variant of a fort/circus tent/makeshift cave, as well as a healthy dose of Sunday bests".
At Golden Rule Gallery www.goldenruleportland.com 811 E Burnside, Suite 122 in the back
Black Box has Field Work, quite nice ironic landscape photography. Recommended. At Black Box Gallery www.blackboxgallery.com 811 E Burnside, Suite 212 upstairs 5PM-8:30 Free
Nationale has poet-painter Paulus Kapteyn with The Pursuit of Happiness, with a theme of "unchecked corruption,... political upheaval and social perversion". All very topical. At Nationale thenewnationale.com 811 E Burnside Map
Redux has Greg Brenden and Jim Mullen, both working in 2 1/2-3d with reused materials. At Redux www.reduxpdx.com 811 E Burnside
All at 811 East Burnside Map
Lille has Ruth Shively with First Impressions, portraits of women spanning cultures, perfect for mothers' day. At Lille Boutique www.lilleboutique.com 1007 E Burnside
Newspace Photo splits its show tonight between their home space and Biwa. Biwa has Jason Carlisle and the home space has Maureen Drennan & Sarina Finkelstein. Tonight when you are expending intense energy arting, stop at Biwa to refuel. Tasty Japanese snacks, drinks and meals. 10% of tonight's proceeds go to support scholarships at the excellent Newspace education program. Newspace Photo: www.newspacephoto.org 1632 SE 10th Biwa: biwarestaurant.com (menus) 215 SE 9th. Newspace until 9ish, Biwa until midnight
The Stables is the reincarnation of a previous artist workspace with an active and inexpensively-priced figure drawing and painting program. Tonight they have a 3 day show by Ramlah Yavar. At The Stables www.thestablespdx.com 910 SE Taylor 7PM Free
Nemo is a branding and communication agency. They present art shows from time to time that relate to their creative projects which are often extreme sports or urban-style themed. Tonight is Skulls and Tentacles by snow/skate board artists RYNO and Quincy Quigg. It's illustration-style work, a little rougher and more raw than usual skate graphics. Musical accompaniment by Wildildlife from Seattle, described as "heavy, heavy space rock". At Nemo Design HQ www.nemohq.com 1875 SE Belmont 6PM-10 Free
Disjecta has an early instance of the next months' art school thesis shows with UofO's MFA grads and their show Momentary Interruption. Sharing the space is Nickolaus Typaldos' Solitaire and the Unknown. At Disjecta, in the shadow of Paul Bunyan www.disjecta.org 8371 N. Interstate Map 6PM-10 Free
Milepost5 also has things going on if you are out that way. At Milepost5 www.milepostfive.com 900 NE 81st (go by MAX) 6PM-9 Free
Thursday, May 05, 2011
Wednesday, May 04, 2011
May 5 Westside Art Openings
Grassy Knoll Gallery shows Know Power: Street Art for Social Change - Jackson Middle School students' graffiti-style interpretations of conflict in Africa. Proceeds to Play Pump, a project chosen by the students. Let's Go Outside spins. Graf coach for the project, Aden Catalani also has his own show this month at Backspace. At Grassy Knoll Gallery www.grassyknollgallery.com 123 NW 2nd
Chris Johanson is a fascinating artist who has been mentioned here before. Augen has a unique collection of Johanson prints going bask to his very early career, and they maintain their impact. At Augen Gallery www.augengallery.com 716 NW Davis
Ditch Projects decamps with great mixed media sculptures by Birdie Hamilton, as discovered by Tim Meyer. At Fourteen30 Gallery www.fourteen30.com 937 NW Glisan 6PM-8
Tom Cramer is a PNCA-schooled Portland artist who has worked for a few years in low relief carvings with applications of lush pigment. He worked early on in primitive carved totems then moved on to abstract relief carvings. This work, Oregon Landmarks, pictures impressionistic locations in his low relief carving style. Quite nice and great public art material. Also showing longtime Portland-NY artist and PCVA cofounder Jay Backstrand. At Laura Russo Gallery www.laurarusso.com 805 NW 21st
Chambers has Fab:topia, by Korean in America artist Sang-Ah Choi. The bright work relates to j-pop art with Korean artists navigating the spaces between the art giants Japan and China, geographically and figuratively. Chambers has been hewing a path of bright and video art, a welcome addition to Portland art vectors. At Chambers Gallery www.chambersgallery.com 916 NW Flanders Early close 8:30PM
Johannes Girardoni is a mid-career artist who has shown in US and European art centers. He shows minimalist sculptures in the main gallery and photographs altered with paint in the Across the Hall space.At PDX Contemporary Art www.pdxcontemporaryart.com 925 NW Flanders Map early close 8PM
The Grass Hut, firmly anchored at Floating World, has a great group show of Portland favorites titled Sloth n Moth. Excellent work. Grass Hut is in Floating World. www.grasshutcorp.com 20 NW 5th
Over at Hellion there are two shows: Echo and After the Quake. Echo is illustrations of angels and demons in the female form. The work is by well known manga artist and character designer, Kashima. After the Quake is illustrations by schoolkids about their feelings, from Yokohama, a large coastal town, thankfully out of the tsunami path this time. Sales of the drawings benefit the Japan Red Cross. Great project by Hellion's Matt Wagner, and the Echo show is a score. At Hellion Gallery www.helliongallery.com 19 NW 5th Suite 208. Through the lobby of the arched brick entry, up the stairs and to the back. Very upper floor Japan-style.
Renew is a show by Yoko Furusho, Cannaday Chapman and Jaz Harrold. At Compound Gallery www.compoundgallery.com 107 NW 5th
Interesting continuing shows include Sean Healey at Elizabeth Leach, Holly Andres at Charles Hartman and the Reading Frenzy print series.
The Everett Lofts are recommended as always for your free viewing pleasure.
Chris Johanson is a fascinating artist who has been mentioned here before. Augen has a unique collection of Johanson prints going bask to his very early career, and they maintain their impact. At Augen Gallery www.augengallery.com 716 NW Davis
Ditch Projects decamps with great mixed media sculptures by Birdie Hamilton, as discovered by Tim Meyer. At Fourteen30 Gallery www.fourteen30.com 937 NW Glisan 6PM-8
Tom Cramer is a PNCA-schooled Portland artist who has worked for a few years in low relief carvings with applications of lush pigment. He worked early on in primitive carved totems then moved on to abstract relief carvings. This work, Oregon Landmarks, pictures impressionistic locations in his low relief carving style. Quite nice and great public art material. Also showing longtime Portland-NY artist and PCVA cofounder Jay Backstrand. At Laura Russo Gallery www.laurarusso.com 805 NW 21st
Chambers has Fab:topia, by Korean in America artist Sang-Ah Choi. The bright work relates to j-pop art with Korean artists navigating the spaces between the art giants Japan and China, geographically and figuratively. Chambers has been hewing a path of bright and video art, a welcome addition to Portland art vectors. At Chambers Gallery www.chambersgallery.com 916 NW Flanders Early close 8:30PM
Johannes Girardoni is a mid-career artist who has shown in US and European art centers. He shows minimalist sculptures in the main gallery and photographs altered with paint in the Across the Hall space.At PDX Contemporary Art www.pdxcontemporaryart.com 925 NW Flanders Map early close 8PM
The Grass Hut, firmly anchored at Floating World, has a great group show of Portland favorites titled Sloth n Moth. Excellent work. Grass Hut is in Floating World. www.grasshutcorp.com 20 NW 5th
Over at Hellion there are two shows: Echo and After the Quake. Echo is illustrations of angels and demons in the female form. The work is by well known manga artist and character designer, Kashima. After the Quake is illustrations by schoolkids about their feelings, from Yokohama, a large coastal town, thankfully out of the tsunami path this time. Sales of the drawings benefit the Japan Red Cross. Great project by Hellion's Matt Wagner, and the Echo show is a score. At Hellion Gallery www.helliongallery.com 19 NW 5th Suite 208. Through the lobby of the arched brick entry, up the stairs and to the back. Very upper floor Japan-style.
Renew is a show by Yoko Furusho, Cannaday Chapman and Jaz Harrold. At Compound Gallery www.compoundgallery.com 107 NW 5th
Interesting continuing shows include Sean Healey at Elizabeth Leach, Holly Andres at Charles Hartman and the Reading Frenzy print series.
The Everett Lofts are recommended as always for your free viewing pleasure.
Friday, April 29, 2011
April 29 Social Practice on Big Things
The Social Practice art movers at PSU have organized an art sale benefit in response to the Japan earthquake and tsunami. Portland and Portland State University have a long relationship with Japan. Tonight they hold the benefit art sale with works from the PSU community, many of whose artists are known nationally. The proceeds will travel unimpeded through Mercy Corps to their Japan partner, unlike other aid groups which collect money when disaster strikes and then place it in their own general fund. The show is Friday and Saturday. The auction is Friday evening. The work wil remain on display Saturday. At PSU Autzen Gallery, 2nd floor, Neuberger Hall. View 11AM-10PM Friday and 11Am-6PM Saturday. Reception begins 5PM Friday. Auction ends 8:30PM Friday. Free, donations accepted.
Thursday, April 28, 2011
April 28 Together on Alberta
In Winter, the last Thursday madness hibernates. The fire performers, clowns, tall bikers, DJ's, bands, strollers and dogs recharge their energies. Hopefully a way to continue this event that benefits bars, restaurants, residential property values and landlords can be found. Meanwhile, Together Gallery, Ampersand and Monograph Bookwerks show year round out of the rain. Many other indoor spaces have art too. Together has How Did I Get Here by Scuba from San Francisco and OWL: Oregon Wave Logger by Scrappers Morrison. Live music by Tears Club at 9. At Together Gallery www.togethergallery.com 2916 NE Alberta, Ste A Map 6PM-11 Free
Monday, April 25, 2011
April 25 Carson Ellis at PSU
Local favorite illustrator Carson Ellis speaks tonight. She has shown all over Portland and has illustrated books mixing a precise and whimsical style which is instantly recognizable. Talk Monday in the Shattuck Hall Annex, 1914 SW Park Avenue, at the corner of SW Broadway and Hall on the PSU campus. 7:30PM Free
Friday, April 22, 2011
April 23 Appendix Space Benefit Event
The Appendix Project Space, one of Portland's most perfectly adapted art spaces, in that it offers engaging quality work, performance, participation on the slimmest of budgets, hosts a show, event, benefit this evening. Some outstanding artists offer their work for sale and in a raffle: Brennan Conaway, Carlos Gonzalez, Charissa Niles, Container Corps, Dave Griess, Edward Sharp, Gary Wiseman, Laura Hughes, Michael Reinsch, Midori Hirose, Molly Cooney-Mesker, Nathan Dinihanian, Oregon Painting Society, PISS, Sean Patrick Carney, Terence Duvall and Zach Rose. At Appendix Project Space. On the alley between 26th and 27th, South of Alberta. Wear shoes you can get muddy. www.appendixspace.com Map 6PM Free
April 22-23 Water In The Desert Under the Influence
Local creative forces host two evenings of local and out of town performers. Details at www.witdpresents.org 55 NE Farragut St. #9 (around in back)
Monday, April 18, 2011
April 17 Street Food as Street
In the Arab world, "the street" is an important, in-person place, for discussion and debate about politics. Jon Rubin is a social practice artist known for his Conflict Kitchen project, serving street food from a rotating cast of countries in which the government has a conflict. Rubin distributes the food in wrappers providing his interpretation of what in going on in country, developed by interviews with people in country and from there, but living here. The artist also organizes events around the food stand that operates 7 days a week for lunch in Pittsburgh, forming an in person place for discussion, like "the street". His Waffle Shop is similar, adding webcasts, emanating from the eatery. He has created dozens of works including documenting the fan culture of a Pittsburgh football team, a project that could easily fit with an exploration of Portland's Timbers Army. Talk Monday in the Shattuck Hall Annex, 1914 SW Park Avenue, at the corner of SW Broadway and Hall on the PSU campus. 7:30PM Free
Saturday, April 16, 2011
April 16 The Mall and Vancouver
The mall galleries have another event tonight, a great opportunity to see what has changed since the last time you were there. At the Pioneer Place Mall, bounded by SW Morrison, Yamhill, 5th and 6th. Third floor. 6PM-9 Free
Some denigrate suburbs. But in this case, Vancouver rocks and Vancouver is the next St Johns! Tonight Vancouver Archer Gallery shows Thomas Allen, Harrison Higgs, Andrew O’Brien, Devon Oder and Robert Smith. It's a landscape gallery in their expansive space. Devon Oder is known for her alt-landscapes at Fourteen30. See it at Clark College Archer Gallery www.clark.edu/archergallery 1933 Fort Vancouver Way, Vancouver, WA 6PM-8 Free
Some denigrate suburbs. But in this case, Vancouver rocks and Vancouver is the next St Johns! Tonight Vancouver Archer Gallery shows Thomas Allen, Harrison Higgs, Andrew O’Brien, Devon Oder and Robert Smith. It's a landscape gallery in their expansive space. Devon Oder is known for her alt-landscapes at Fourteen30. See it at Clark College Archer Gallery www.clark.edu/archergallery 1933 Fort Vancouver Way, Vancouver, WA 6PM-8 Free
Friday, April 15, 2011
April 15 Belgium Boat
Worksound has had consistently occasional international artists. Tonight they open a show of Belgian artists curated by Vanessa Van Obberghen. At Worksound www.worksoundpdx.com 820 SE Alder Map 6PM-9 Free
Meanwhile up North, the Labrador Project has a show by Lewis Feuer, one of the artists that make the boat their studio. At 12128 Labrador Project www.labradorproject.com It's moored by Fred's Marina 12900 NW Marina Way, Portland. Easily the largest boat at the moorage, you cannot miss it. More detailed directions, don't get lost, on the website. 7PM-10 Free
Meanwhile up North, the Labrador Project has a show by Lewis Feuer, one of the artists that make the boat their studio. At 12128 Labrador Project www.labradorproject.com It's moored by Fred's Marina 12900 NW Marina Way, Portland. Easily the largest boat at the moorage, you cannot miss it. More detailed directions, don't get lost, on the website. 7PM-10 Free
Tuesday, April 12, 2011
April 14 Pander Helm
Local illustrator filmmakers Jacob and Arnold Pander show collaborative work at Local 35. The brothers were early and influential comic artists with an impact on Portland-Oregon City developing into today's comic illustration center, along with Dark Horse, Reading Frenzy and the IPRC. At Local 35 local35.blogspot.com 3556 SE Hawthorne Blvd 6PM Free
The Portland Art Museum artist talks continue with local creative Jelly Helm. That adman - Mad Man is responsible for the Timbers soccer team axe campaign! Helm, in this monthly event, has chosen a work from the collection, and discusses with the audience how it inspires them. At the Portland Art Museum www.pam.org 1219 SW Park 6PM-8 $5 members, otherwise regular admission $12 so tour the Museum before
The Portland Art Museum artist talks continue with local creative Jelly Helm. That adman - Mad Man is responsible for the Timbers soccer team axe campaign! Helm, in this monthly event, has chosen a work from the collection, and discusses with the audience how it inspires them. At the Portland Art Museum www.pam.org 1219 SW Park 6PM-8 $5 members, otherwise regular admission $12 so tour the Museum before
April 13 Curator Talks at Gallery
The Portland Art Museum photography curator, Dr. Julia Dolan, responsible for a collection ranging from the 19th Century to today, gives a talk at the Charles Hartman Gallery, a photo gallery spanning the same period, about collecting photographs. At Charles Hartman Fine Art www.hartmanfineart.net 134 NW 8th 7PM-8 Free
Friday, April 08, 2011
April 9 Pecha Kucha Foundation Ya
Pecha Cucha PDX #9 is themed on illumination. Pecha Cucha is a night of presentations of 20 slides, 20 seconds each slide, for a total of less than 7 minutes per presentation. While TED is world changing focused and Ignite is humorous, Pecha Kucha is primarily focused on design, planning and architecture. Speakers tonight are Jacob Brostoff, city planner / más transit; Brian Brush & Yong Ju Lee, architect, designer / SoftRigid; Osvaldo 'Ozzie' Gonzalez, board of directors / Miracle Theatre Group; Mykle Hansen , writer, inventor / Mykle Systems Labs; Laura Hughes, visual artist / Laura Hughes Studio; Ryan Lingard, designer / ryan lingard design, Kelley Roy & Eric Black, directors / ADX Portland; Susanne Seitinger, researcher / MIT Media Lab / Fluid Interfaces Group. The event is free, but they will be collecting funds for the Architecture for Humanities Japan project which is directed by Japanese on the ground. It's fitting because Pecha Kucha began in Japan. There will also be Pecha Kucha webcasts world wide April 16 focused on Japan. At the Shattuck Hall Annex, 1914 SW Park Avenue, at the corner of SW Broadway and Hall on the PSU campus. 7:30PM doors, 8:20 talks Free
The Foundation returns to homeboy Reed in the old union, a cross between a gym, a chapel and a ski chalet. It's one of Portland's most consistently presented b-boy/b-girl competitions and always fun. It's 5on5 for $500. Organized by ThomasOragami. DJ is ComputerFam. Judges are Alex - Moon Patrol (Portland, OR), Jbugz - Soul Felons (Vancouver, B.C), Jermz - Dance Broomz (Tacoma, WA) and Tim Chips - Fraggle Rock (Seattle, WA). Out of town crews representing are Suicide Kingz (Los Angeles, CA, Massive Monkees (Seattle, WA), Dance Broomz (Tacoma, WA), Outcrowd (Phoenix, AZ), Flex flave (Sacramento, CA), Filthee Feet (Vancouver B.C) and Jungle Brothers (Houston, TX).
The battle goes down beginning at 2PM with "Donald Trump your opponent" eliminations of P-town crews down to 8. Each of the 8 then choose which of the out of town guest crews they want to battle in the first evening round.
The Foundation in the old union at Reed College. Doors 6PM $10 advance/15 door
Container Corps is one of Portland's vibrant micropublishers. One of their projects is YA, a journal of arts writing. YA5 breaks tonight at Container Corps world headquarters. It has a superstar edit team: David Knowles - Publication Studio, Sam Korman - Car Hole Gallery, Gary Robbins - Container Corps. This edition is art themed; the publication rotates to music, food, design and film in cycles.
The first art issue includes: HG Masters on Public Art in Tel Aviv, Larry Rinder on The Best Museum Imaginable, Sanela Jahic on “Fire Painting”, Brad Troemel on Street Skateboarding, Derek Franklin on Satire and Irony plus Frederick Deknatel on Iraqi Artists in Exile.
At Container Corps www.containercorps.com 1322 N Killingsworth 6PM-9 Free
The Foundation returns to homeboy Reed in the old union, a cross between a gym, a chapel and a ski chalet. It's one of Portland's most consistently presented b-boy/b-girl competitions and always fun. It's 5on5 for $500. Organized by ThomasOragami. DJ is ComputerFam. Judges are Alex - Moon Patrol (Portland, OR), Jbugz - Soul Felons (Vancouver, B.C), Jermz - Dance Broomz (Tacoma, WA) and Tim Chips - Fraggle Rock (Seattle, WA). Out of town crews representing are Suicide Kingz (Los Angeles, CA, Massive Monkees (Seattle, WA), Dance Broomz (Tacoma, WA), Outcrowd (Phoenix, AZ), Flex flave (Sacramento, CA), Filthee Feet (Vancouver B.C) and Jungle Brothers (Houston, TX).
The battle goes down beginning at 2PM with "Donald Trump your opponent" eliminations of P-town crews down to 8. Each of the 8 then choose which of the out of town guest crews they want to battle in the first evening round.
The Foundation in the old union at Reed College. Doors 6PM $10 advance/15 door
Container Corps is one of Portland's vibrant micropublishers. One of their projects is YA, a journal of arts writing. YA5 breaks tonight at Container Corps world headquarters. It has a superstar edit team: David Knowles - Publication Studio, Sam Korman - Car Hole Gallery, Gary Robbins - Container Corps. This edition is art themed; the publication rotates to music, food, design and film in cycles.
The first art issue includes: HG Masters on Public Art in Tel Aviv, Larry Rinder on The Best Museum Imaginable, Sanela Jahic on “Fire Painting”, Brad Troemel on Street Skateboarding, Derek Franklin on Satire and Irony plus Frederick Deknatel on Iraqi Artists in Exile.
At Container Corps www.containercorps.com 1322 N Killingsworth 6PM-9 Free
Wednesday, April 06, 2011
April 7 Westside Art Openings
Elizabeth Leach gallery has Upstate, mixed media sculpture by Sean Healey. The show is themed on the loss of American manufacturing in his home town. There are also snapshots by poet Alan Ginsberg and friends, of Alan Ginsberg and friends. At Elizabeth Leach Gallery www.elizabethleach.com 417 NW 9th Map
Holly Andres has a new body of dramatic domestic photography. Andres is the best in the Northwest at constructing these situations and is a national figure to watch. At Charles Hartman Fine Art www.hartmanfineart.net 134 NW 8th
Blair Saxon-Hill, known for painting and prints, has Tonal Sequence, collage, at the new Fourteen30 itinerant space. It's really quite elegant work. The raw material is printed matter, some samples containing recognizable photographic content, but what makes the work, work, are the other elements that are halftone dot printed elements which compose a tone and space poem. Outstanding. Temporary quality art spaces hosted by developers is a great trend we woud like to see more of in Portland, and this building is one of the more design-oriented recent efforts. At Fourteen30 Gallery www.fourteen30.com 937 NW Glisan 6PM-8
Blue Sky has landscape and skyscape photographers. Michael Light makes aerial photographs of the built landscape in the West. This is the more interesting work for me, high resolution huge contrast-y prints, another look at our impact on the landscape. Mitch Dobrowner makes photographs of sky storms from the ground. www.blueskygallery.org map 122 NW 8th
The UO White Box Gallery and video space within Grey Box have great shows this month. Hung Keung has an elegant video installation that is best experienced with another person or a group - ask how it works to make it yours. In the main space are outsider style portraits with a twist - their stories. The artist Daniel Heyman is also showing at Linfield College. At White Box in the White Stag Block 24 NW First. Opening reception 6PM-8 Free
Augen has a selection of gallery artists Grace Weston and David Leventhal, working in miniatures, and Phil Bard classical monochrome landscape maker, all working in photography. At Augen Gallery www.augengallery.com 716 NW Davis
Froelick has photographers Susan Seubert showing < r e s t r a i n t >, Ron van Dongen showing Proof, and Theresa Wingert showing Cinema Deconstructed. At www.froelickgallery.com 714 NW Davis
The Everett Lofts at the corner of NW Everett and Broadway are recommended, easier to see them all than to write about one.
Reading Frenzy has This Garden of Eden, primitive style figuartive work by musician Rachel Blumberg. At Reading Frenzy www.readingfrenzy.com 921 SW Oak
The Seasons Reverse: Leaps of Time and Distance is by music photographer and mail artist Jaclyn Campanaro. At Valentines valentineslifeblood.blogspot.com 232 SW Ankeny Art 9PM, Free
This month Photolucida touches down in Portland, so just about every gallery in the city has photo shows. Those that aren't are showing illustration-comic art connected to the Stumptown Comics show this month.
Holly Andres has a new body of dramatic domestic photography. Andres is the best in the Northwest at constructing these situations and is a national figure to watch. At Charles Hartman Fine Art www.hartmanfineart.net 134 NW 8th
Blair Saxon-Hill, known for painting and prints, has Tonal Sequence, collage, at the new Fourteen30 itinerant space. It's really quite elegant work. The raw material is printed matter, some samples containing recognizable photographic content, but what makes the work, work, are the other elements that are halftone dot printed elements which compose a tone and space poem. Outstanding. Temporary quality art spaces hosted by developers is a great trend we woud like to see more of in Portland, and this building is one of the more design-oriented recent efforts. At Fourteen30 Gallery www.fourteen30.com 937 NW Glisan 6PM-8
Blue Sky has landscape and skyscape photographers. Michael Light makes aerial photographs of the built landscape in the West. This is the more interesting work for me, high resolution huge contrast-y prints, another look at our impact on the landscape. Mitch Dobrowner makes photographs of sky storms from the ground. www.blueskygallery.org map 122 NW 8th
The UO White Box Gallery and video space within Grey Box have great shows this month. Hung Keung has an elegant video installation that is best experienced with another person or a group - ask how it works to make it yours. In the main space are outsider style portraits with a twist - their stories. The artist Daniel Heyman is also showing at Linfield College. At White Box in the White Stag Block 24 NW First. Opening reception 6PM-8 Free
Augen has a selection of gallery artists Grace Weston and David Leventhal, working in miniatures, and Phil Bard classical monochrome landscape maker, all working in photography. At Augen Gallery www.augengallery.com 716 NW Davis
Froelick has photographers Susan Seubert showing < r e s t r a i n t >, Ron van Dongen showing Proof, and Theresa Wingert showing Cinema Deconstructed. At www.froelickgallery.com 714 NW Davis
The Everett Lofts at the corner of NW Everett and Broadway are recommended, easier to see them all than to write about one.
Reading Frenzy has This Garden of Eden, primitive style figuartive work by musician Rachel Blumberg. At Reading Frenzy www.readingfrenzy.com 921 SW Oak
The Seasons Reverse: Leaps of Time and Distance is by music photographer and mail artist Jaclyn Campanaro. At Valentines valentineslifeblood.blogspot.com 232 SW Ankeny Art 9PM, Free
This month Photolucida touches down in Portland, so just about every gallery in the city has photo shows. Those that aren't are showing illustration-comic art connected to the Stumptown Comics show this month.
Sunday, April 03, 2011
April 5 Geoloqi Curiosity
The Curiosity Club, with industrial design roots in the physically made world, hosts virtual maker-inventors Aaron Parecki and Amber Case of Geoloqi for a talk to fellow maker - designers this evening. Their invention is a secure geolocation platform for mobile. You can tune into the free live webcast off the Core77 site or visit in person at Hand Eye Supply www.handeyesupply.com/pages/curiosity-club 23 NW 4th 6PM Free
April 4 Jon Raymond Writer
Jon Raymond, a writer that operates in the art world speaks. He cofounded Plazm and has written art narratives and works that have become film. Talk Monday in the Shattuck Hall Annex, 1914 SW Park Avenue, at the corner of SW Broadway and Hall on the PSU campus. 7:30PM Free
Saturday, April 02, 2011
April 3 Dance Art
Modern dance is has a small audience, though participatory and ritual dance is as old as we are human. Perhaps, like other contemporary art, it is voided by a potential audience that believes they cannot "get it". In actuality, it is as fascinating as the performance of Olympic athletes. It can be experienced by pure intuition - a resonance of subconscious points, a personal narrative can be impressed upon it, the dynamics between performers can be the focus, or the viewer can put themselves inside the movement.
Modern dance also incorporates its own tragedy. While some discover performative dance through ballet from young childhood, others discover it through gymnastics or come to it later, in college. Their peak physical capability is in late teen years to early 20's, like an athlete, from whence it declines. But their expressive emotional capability is meanwhile on the rise, for a lifetime. Where do those petterns intersect?
Today a show opens at a visual art space which reprises dance video over almost 40 years in Portland. It's accompanied by performances by performers active throughout that period. The show continues to mid-May. This afternoon, Linda K. Johnson, Linda Austin and Tahni Holt, representing the 1990s, the 1980's to now and the millennium to now perform at 3:15PM, 4 and 4:45, all respectively. More performances follow April 30 and May 14, with a discussion April 28.
At the Marylhurst Art Gym at the Marylhurst University www.marylhurst.edu/theartgym/ Map 3PM-6 Free
Modern dance also incorporates its own tragedy. While some discover performative dance through ballet from young childhood, others discover it through gymnastics or come to it later, in college. Their peak physical capability is in late teen years to early 20's, like an athlete, from whence it declines. But their expressive emotional capability is meanwhile on the rise, for a lifetime. Where do those petterns intersect?
Today a show opens at a visual art space which reprises dance video over almost 40 years in Portland. It's accompanied by performances by performers active throughout that period. The show continues to mid-May. This afternoon, Linda K. Johnson, Linda Austin and Tahni Holt, representing the 1990s, the 1980's to now and the millennium to now perform at 3:15PM, 4 and 4:45, all respectively. More performances follow April 30 and May 14, with a discussion April 28.
At the Marylhurst Art Gym at the Marylhurst University www.marylhurst.edu/theartgym/ Map 3PM-6 Free
April 2 Disjecta False Front Fan Death
Disjecta has a colorful history of building occupations. They were in a revival church, with a bathtib in the main room for baptisms, in the Frigidaire Building rented from an LA-based slumlord and now are in a former bowling alley. Tonight's show, Score, by Avantika Bawa, reprises the bowling alley history of the building. At Disjecta www.disjecta.org 8371 N Interstate 6PM-10 Free
False Front Studio opens Emily Nachison's Hylozoic. It's and installation inspired by her mythical landscapes. You can see from her website some of the epic installations she has made. Recommended. At False Front Studio www.falsefrontstudio.com 4518 NE 32nd Map 7PM-10 Free
Appendix is well known for installation and performance. They reduce their schedule in rainy season. But rain not withstanding, tonight they have Fan Death by Gary Robbins. At Appendix Project Space. On the alley between 26th and 27th, South of Alberta. www.appendixspace.com Map 6-9ish Free
False Front Studio opens Emily Nachison's Hylozoic. It's and installation inspired by her mythical landscapes. You can see from her website some of the epic installations she has made. Recommended. At False Front Studio www.falsefrontstudio.com 4518 NE 32nd Map 7PM-10 Free
Appendix is well known for installation and performance. They reduce their schedule in rainy season. But rain not withstanding, tonight they have Fan Death by Gary Robbins. At Appendix Project Space. On the alley between 26th and 27th, South of Alberta. www.appendixspace.com Map 6-9ish Free
Friday, April 01, 2011
April 1 Eastside Art Openings +
At 811 Central
Golden Rule has a show publicized by puzzling interchanges with the artist. We love meta, so stop by to see the outcome. Trust the Golden Rule. At Golden Rule Gallery www.goldenruleportland.com 811 E Burnside, Suite 122 in the back
Black Box Gallery opens tonight upstairs. Savvy-brainy curator Todd Johnson has made it. The first show is an open call. blackboxgallery.com Suite 212 upstairs
Redux has Brent Superstar. I mean how can you argue with a superstar? The artist is well known in Portland for works on Alberta and in the City Art network. You can't go wrong with this artist who has newly undertaken a more caricature style. At Redux www.reduxpdx.com 811 E Burnside Free
Nationale has Portland painter Jaik Faulk. At Nationale thenewnationale.com 811 E Burnside Map
All 811 East Burnside
Up the street Lille Boutique has Valerie Joan Taylor. The boutique's merchandise is sweet and romantic. But their art shows are unafraid at venturing into more complex elements of the female psyche. This show is more medium light side. At Lille Boutique www.lilleboutique.com 1007 E Burnside
Newspace has a show connected to the Photolucida curatorial process. That has resulted in an international show by emerging photographers Thomas Alleman, Justyna Badach, Claire Beckett, Kendrick Brinson, Christopher Capozziello, Tom Chambers, Christopher Churchill, Sam Comen, Kirk Crippens, Mitch Dobrowner, Natan Dvir, Daniela Edburg, Matt Eich, Ethan Eisenberg, Dima Gavrysh, Kevin German, Elin Hoyland, Jessica Hines, Joseph O. Holmes, Norihisa Hosaka, Mary Shannon Johnstone, Loli Kantor, Dianne Kornberg, Alejandra Laviada, Stephen Mallon, Rania Matar, Annie Marie Musselman, Louie Palu, Rachel Phillips, Benjamin Rasmussen, Christopher Rauschenberg, Frank Relle, Justine Reyes, Jeff Rich, Lynn Saville, Traer Scott, Manjari Sharma, Jeff Sheng, Tim Simmons, Pavel Maria Smejkal, Yisook Sohn, S. Gayle Stevens, Jamey Stillings, Amy Thompson Avishai, Daniel Traub, Kevin Van Aelst, Alvaro Villela, and Corinne Vionnet. Newspace is a great proponent of up to date photography. At Newspace Photo www.newspacephoto.org 1632 SE 10th
Photography is magic. Today it is electromagic. But yesterday it was chemomagic. That is the essence of this show of "alternative" photographic printing processes. Well worth seeing. At 23Sandy www.23sandy.com 623 NE 23 at Sandy 5PM-8 Free
We enter the emergence of the new generation of Portland-schooled artists. Keep an eye here for shows by recent graduates, though we guarantee we don't cover everything. PSU and PNCA have done well integrating themselves with art making machinery publicity vehicles. Lewis and Clark is on the upswing too, curating its own at the Car Hole Gallery and Labrador. The newest class opens shows this evening in the L&C main gallery, usually host to prestigious international artists. At Lewis and Clark College www.lclark.edu/hoffman_gallery Opening 5PM-8 Free
Golden Rule has a show publicized by puzzling interchanges with the artist. We love meta, so stop by to see the outcome. Trust the Golden Rule. At Golden Rule Gallery www.goldenruleportland.com 811 E Burnside, Suite 122 in the back
Black Box Gallery opens tonight upstairs. Savvy-brainy curator Todd Johnson has made it. The first show is an open call. blackboxgallery.com Suite 212 upstairs
Redux has Brent Superstar. I mean how can you argue with a superstar? The artist is well known in Portland for works on Alberta and in the City Art network. You can't go wrong with this artist who has newly undertaken a more caricature style. At Redux www.reduxpdx.com 811 E Burnside Free
Nationale has Portland painter Jaik Faulk. At Nationale thenewnationale.com 811 E Burnside Map
All 811 East Burnside
Up the street Lille Boutique has Valerie Joan Taylor. The boutique's merchandise is sweet and romantic. But their art shows are unafraid at venturing into more complex elements of the female psyche. This show is more medium light side. At Lille Boutique www.lilleboutique.com 1007 E Burnside
Newspace has a show connected to the Photolucida curatorial process. That has resulted in an international show by emerging photographers Thomas Alleman, Justyna Badach, Claire Beckett, Kendrick Brinson, Christopher Capozziello, Tom Chambers, Christopher Churchill, Sam Comen, Kirk Crippens, Mitch Dobrowner, Natan Dvir, Daniela Edburg, Matt Eich, Ethan Eisenberg, Dima Gavrysh, Kevin German, Elin Hoyland, Jessica Hines, Joseph O. Holmes, Norihisa Hosaka, Mary Shannon Johnstone, Loli Kantor, Dianne Kornberg, Alejandra Laviada, Stephen Mallon, Rania Matar, Annie Marie Musselman, Louie Palu, Rachel Phillips, Benjamin Rasmussen, Christopher Rauschenberg, Frank Relle, Justine Reyes, Jeff Rich, Lynn Saville, Traer Scott, Manjari Sharma, Jeff Sheng, Tim Simmons, Pavel Maria Smejkal, Yisook Sohn, S. Gayle Stevens, Jamey Stillings, Amy Thompson Avishai, Daniel Traub, Kevin Van Aelst, Alvaro Villela, and Corinne Vionnet. Newspace is a great proponent of up to date photography. At Newspace Photo www.newspacephoto.org 1632 SE 10th
Photography is magic. Today it is electromagic. But yesterday it was chemomagic. That is the essence of this show of "alternative" photographic printing processes. Well worth seeing. At 23Sandy www.23sandy.com 623 NE 23 at Sandy 5PM-8 Free
We enter the emergence of the new generation of Portland-schooled artists. Keep an eye here for shows by recent graduates, though we guarantee we don't cover everything. PSU and PNCA have done well integrating themselves with art making machinery publicity vehicles. Lewis and Clark is on the upswing too, curating its own at the Car Hole Gallery and Labrador. The newest class opens shows this evening in the L&C main gallery, usually host to prestigious international artists. At Lewis and Clark College www.lclark.edu/hoffman_gallery Opening 5PM-8 Free
Wednesday, March 30, 2011
March 31 Yu Who Re Print
This is a unique mash up.
The Dill Pickle Club, arts activists and historians, have produced a reprint monograph chronicling select exhibitions once upon a time of Portland's Portland Center for Visual Art - PCVA. The book was printed by Publication Studio. And they are presenting their book at Yu, a space which would become the new PCVA. Finally Lisa Radon, who is working on a book about PCVA moderates a discussion by Mary Beebe, Mel Katz, Tad Savinar and Paul Sutinen who were founders, board members or staff of old PCVA.
PCVA operated in Portland from 1972-1988 and hosted hundreds of installations and performances, many more than those chronicled in the book. Apparently it was a heady time, in which New York art movements got a purchase nationally, and internationally. Part of that would be support by the government in the form of grants including the National Endowment for the Arts. Pressures from social conservatives caused funding of free wheeling artists and projects to be derailed in favor of grants to state arts commissions. Today funding is on the down cycle again. Meanwhile PCVA was considered "too legit" to receive NEA "alternative space" grants. Other failure modes for PCVA were galleries blocking their artists' participation in Portland because there would be no sales.
Interestingly, the rise of PICA, from 1995, was based on not taking public funds. PICA had roots in the Portland Art Museum, which established a more conservative art direction about the same time, leading to PICA's break away.
Yu, with a vast multifunctional space, is looking to create anew an international art center, rekindling the PCVA energy of the time, and more.
At Yu www.yucontemporary.org dillpickleclub.com/events www.publicationstudio.biz 7PM $0-10
The Dill Pickle Club, arts activists and historians, have produced a reprint monograph chronicling select exhibitions once upon a time of Portland's Portland Center for Visual Art - PCVA. The book was printed by Publication Studio. And they are presenting their book at Yu, a space which would become the new PCVA. Finally Lisa Radon, who is working on a book about PCVA moderates a discussion by Mary Beebe, Mel Katz, Tad Savinar and Paul Sutinen who were founders, board members or staff of old PCVA.
PCVA operated in Portland from 1972-1988 and hosted hundreds of installations and performances, many more than those chronicled in the book. Apparently it was a heady time, in which New York art movements got a purchase nationally, and internationally. Part of that would be support by the government in the form of grants including the National Endowment for the Arts. Pressures from social conservatives caused funding of free wheeling artists and projects to be derailed in favor of grants to state arts commissions. Today funding is on the down cycle again. Meanwhile PCVA was considered "too legit" to receive NEA "alternative space" grants. Other failure modes for PCVA were galleries blocking their artists' participation in Portland because there would be no sales.
Interestingly, the rise of PICA, from 1995, was based on not taking public funds. PICA had roots in the Portland Art Museum, which established a more conservative art direction about the same time, leading to PICA's break away.
Yu, with a vast multifunctional space, is looking to create anew an international art center, rekindling the PCVA energy of the time, and more.
At Yu www.yucontemporary.org dillpickleclub.com/events www.publicationstudio.biz 7PM $0-10
March 30, 31 Reactivate the Architecture of Dance
RE/ACTIVATE is a modern dance project occupying an installation by two artists in an interesting architectural space. It was developed by the performer Rachel Tess. I've seen earlier versions of this show. It realizes the vision that we have had for art and artist networks inspiring creative business and their networks. It's a small, intimate space, but the performer is one of Portland's peak movers. It's a professional performance in a non-traditional space. Reservations 503-729-5364. At W+K 224 NW 13th 7:30PM $25 or $40 for both evenings
Saturday, March 26, 2011
March 28 Social Practice Artist Natasha Wheat
The Monday night lecture series welcomes Natasha Wheat. She started noted projects in Chicago, Project Grow in Portland, and is currently participating in projects and working in the CCA social practice program. Very exciting given the positions of Chicago, Portland and San Francisco in the genre. Talk Monday in the Shattuck Hall Annex, 1914 SW Park Avenue, at the corner of SW Broadway and Hall on the PSU campus. 7:30PM Free
March 27 A Modest Proposal
Social practice artist Natasha Wheat, many of whose projects surround food, has created a series of cups for Portland art, book, zine and clothing standout Stand Up Comedy. Release is at Stand Up Comedy www.shopstandingup.us 811 E Burnside noon on free
Friday, March 25, 2011
March 25 Dance and Writing
Arts are misunderstood and dance especially. Constructing narrative around it post facto, even if there is no inherent narrative intent in the piece itself has great value. Certainly a still painting is inherently non-narrative, but benefits from narrative in the viewer relationship. The writers and the dancers commune tonight at the gallery in Pioneer Place Mall around a new print dance publication, Front. Performers Tahni Holt, Alyssa Reed-Stuewe, Danielle Ross, Noelle Stiles and Robert Tyree host a happy hour discussion 6-8, segueing into dance karaoke until 9 or 10. At the Pioneer Place Mall, bounded by SW Morrison, Yamhill, 5th and 6th. Third floor. 6PM-9/10 Free
March 25-31 Some Days Are Better Than Others
This film has shown privately and at the Film Center. It opens the start of a limited national run tonight at the Hollywood Theater. Tell your friends in other cities too. www.somedaysthemovie.com Director in attendance Friday March 25. At the Hollywood Theater 4122 NE Sandy 3PM, 5 weekends; 7, 9:15 daily $7
Monday, March 21, 2011
March 23 Art Show-Make Space Preview
The successful Art Department event space is expanding to include a design-build studio workspace. It will combine events, exhibits, making and doing in a collaborative community setting. A great project filling a need for shared workspace, resources and classes. Details at the project website. Preview open house tonight. See adxportland.com 417 SE 11th x Stark 6PM-8 Free
March 22 Curiosity Club on ID
Tonight designer Michael Felix discusses some of his speculative projects, including those using sound as an element. You can tune into the free live webcast off the Core77 site or visit in person at Hand Eye Supply www.handeyesupply.com/pages/curiosity-club 23 NW 4th 6PM Free
March 21 Global Warming and Local Growth
One of our greatest challenges as humans is to balance thoughts of the large and small simultaneously in making decisions. One of the large, is the theory of global warming, brought by injecting millions of years of hydrocarbon deposits from plantlife into the atmosphere over about 150 years. Believe it or not, some city of Portland departments have long term contingency plans for massive inmigration to the region because other areas become climatically undesirable.
Tonight's speaker, Gail Achterman, discusses Oregon's land use planning in the context of rapid population change which could accompany climapocalypse. Achterman also discusses our infrastructure planning process, water, sewer, transportation, energy, and how changes we could make now will reduce the potential impact of millions of Californians and people from the arid Southwest moving here. It's part of the City Club Bright Light's discussion series in which journalist artist editor Randy Gragg interviews though leaders in planning and design.
At Jimmy Mak's, 221 NW 10th Map Doors 5:30PM, discussion 6. Free
Tonight's speaker, Gail Achterman, discusses Oregon's land use planning in the context of rapid population change which could accompany climapocalypse. Achterman also discusses our infrastructure planning process, water, sewer, transportation, energy, and how changes we could make now will reduce the potential impact of millions of Californians and people from the arid Southwest moving here. It's part of the City Club Bright Light's discussion series in which journalist artist editor Randy Gragg interviews though leaders in planning and design.
At Jimmy Mak's, 221 NW 10th Map Doors 5:30PM, discussion 6. Free
Thursday, March 17, 2011
March 20 Stock
Stock is back this month at PNCA. RSVP by email, portlandstock at gmail dot com, the meal reservations, limited by logistics, fill quickly. Details: portlandstock.blogspot.com At PNCA 1241 NW Johnson 6PM-8 $10 cash only
Tuesday, March 15, 2011
March 19 In Site Reconciliation Independent Labrador
Portland's only floating studio gallery, the Labrador, hosts a show by Portland artist Chase Biado: Sad Barbaric. The show will also be accessible for a closing event March 26. The 65 foot boat was built to carry remains back from WWII. Retrofitted (it has working cranes) it worked as a crabber. Now four artists share it as studio space, make repairs and keep it afloat. Many of the artist crew, curators and showing artists met at landlocked Lewis and Clark College. But maybe they got their start with L&C's navy of dinghies docked on the mighty Willamette South of the Sellwood bridge? At 12128 Labrador Project www.labradorproject.com It's moored by Fred's Marina 12900 NW Marina Way, Portland. Easily the largest boat at the moorage, you cannot miss it. More detailed directions, don't get lost, on the website. 7PM Free
The mall show, IN(ter)DEPENDENCE, in the Pioneer Place Mall holds a reception connected to its current show. Some details may be found at portlandorusnow.blogspot.com/2011/02/february-19-mall-grow.html At the Pioneer Place Mall, bounded by SW Morrison, Yamhill, 5th and 6th. Third floor. 6PM-9 Free
Gentrification is Change, and my view of it is probably more nuanced to completely different than some. That's a longer conversation. Tonight there is a perspective offered by Judith Mowry, who has been leading community discussions for the City of Portland's Office of Neighborhood Involvement, in North and Northeast Portland, among the gentrifiers and gentrifiees. The process is based on the principles of restorative justice. These ideas were the basis for the Truth and Reconciliation hearings in South Africa and in many post-conflict countries. It's not clear that the process was entirely successful in the minds of those affected in South Africa, but it's still valuable, and certainly more effective than the courts. It was also used in Sierra Leone, for which in my opinion, it was less suited. In that case, it was certainly more cost effective than courts. It certainly leaves an invaluable first person historical record with narrative resonance. Tonight Mowry shares her experiences at Project Grow, which is itself focusing on closer neighborhood connections. Music by Lynnae Gryffin. At Project Grow at the Port City Development Center. 2156 N Williams Ave at Tillamook. Films 6PM Free
Earlier in he day, Linda Austin activates Carl Burkheimer's installation with movement and co-movers Jin Camou, Keyon Gaskin and Danielle Ross. At Disjecta www.disjecta.org 8371 N Interstate 1PM Free
The mall show, IN(ter)DEPENDENCE, in the Pioneer Place Mall holds a reception connected to its current show. Some details may be found at portlandorusnow.blogspot.com/2011/02/february-19-mall-grow.html At the Pioneer Place Mall, bounded by SW Morrison, Yamhill, 5th and 6th. Third floor. 6PM-9 Free
Gentrification is Change, and my view of it is probably more nuanced to completely different than some. That's a longer conversation. Tonight there is a perspective offered by Judith Mowry, who has been leading community discussions for the City of Portland's Office of Neighborhood Involvement, in North and Northeast Portland, among the gentrifiers and gentrifiees. The process is based on the principles of restorative justice. These ideas were the basis for the Truth and Reconciliation hearings in South Africa and in many post-conflict countries. It's not clear that the process was entirely successful in the minds of those affected in South Africa, but it's still valuable, and certainly more effective than the courts. It was also used in Sierra Leone, for which in my opinion, it was less suited. In that case, it was certainly more cost effective than courts. It certainly leaves an invaluable first person historical record with narrative resonance. Tonight Mowry shares her experiences at Project Grow, which is itself focusing on closer neighborhood connections. Music by Lynnae Gryffin. At Project Grow at the Port City Development Center. 2156 N Williams Ave at Tillamook. Films 6PM Free
Earlier in he day, Linda Austin activates Carl Burkheimer's installation with movement and co-movers Jin Camou, Keyon Gaskin and Danielle Ross. At Disjecta www.disjecta.org 8371 N Interstate 1PM Free
March 18-20 Alembic Consumption
Performance Works Northwest hosts its periodic performance series Alembic, with Portland choreographer Danielle Ross: To Remember is to Jump Around Here, with dancers Suzanne Chi, Sally Garrido-Spencer, Michelle Rogers, and Danielle Ross. Bay Area FACT/SF who are known for performances in Walmart stores is also on the bill. At Performance Works NW 4625 SE 67th 8PM $12-15
March 17 Art Spark Urban Farmer Re/Activate
Art Spark is now on an every other month schedule. They meet tonight at the Urban Farmer restaurant in the Nines Hotel. The organizers of Jewish Arts Month will give a short talk at 6. Art Spark www.portlandartspark.com. At Urban Farmer
525 SW Morrison, 8th Floor. 5PM-7 Free
There is a geometric spatial installation occupying the W+K lobby. It's angular and orange, inhabiting a white out industrial space of 1908 vintage, but holding its own. Fitted by artists Jordan Tull and Damien Gilley, it's danced in tonight by collaborator Rachel Tess, in project Re/Activate. Julliard-schooled Tess, who is noted for her bi-continent works, has been exploring the space with movement as resident W+K artist; it's a great use of the otherwise little used grand entry lobby. Light, sound, costume collaborators are Jennifer Lin, Thomas Thorson, Rachelle Waldie, respectively. The sole props are a vintage sleeping bag matching the set, camp lanterns, a table and chairs. It's a great collaboration by all involved. Repeats March 30,31, as a finished piece, admission $25, reservations 503-729-5364. Tonight's informal work in progress performance is free. At W+K 224 NW 13th 7:30PM
525 SW Morrison, 8th Floor. 5PM-7 Free
There is a geometric spatial installation occupying the W+K lobby. It's angular and orange, inhabiting a white out industrial space of 1908 vintage, but holding its own. Fitted by artists Jordan Tull and Damien Gilley, it's danced in tonight by collaborator Rachel Tess, in project Re/Activate. Julliard-schooled Tess, who is noted for her bi-continent works, has been exploring the space with movement as resident W+K artist; it's a great use of the otherwise little used grand entry lobby. Light, sound, costume collaborators are Jennifer Lin, Thomas Thorson, Rachelle Waldie, respectively. The sole props are a vintage sleeping bag matching the set, camp lanterns, a table and chairs. It's a great collaboration by all involved. Repeats March 30,31, as a finished piece, admission $25, reservations 503-729-5364. Tonight's informal work in progress performance is free. At W+K 224 NW 13th 7:30PM
Sunday, March 13, 2011
March 17 - 20 6½ We Two Boys
Two performances. 6½ was created by Lisa DeGrace, choreographed and directed by Tracy Broyles, and performed by DeGrace, Alicia Ankenman, Mark Kline and Capra J'Neva. We Two Boys is choreographed by Meshi Chavez and performed by Chavez and Richard Decker. Both in the Teeth space at 810 SE Belmont. $15-25 8PM each night, plus 4PM Sunday
March 16 Art Fair
Art is a mating dance between the artist and the audience. But it happens within an arts ecosystem or extended family. In Portland one of that extended family is the Business Committee for the Arts. They are holding a gathering of over 50 arts producing organizations to network with one another, production spaces, potential board members - really all the other arts ecosystem participants. In addition to the networking, there will be performances by Polaris Dance & students from Northwest Academy, a raffle, snacks and drinks. You must RSVP by March 14 to attend. At Yu. 800 SE 10th. 5:30PM-7:30. $5-10
March 15 Collect Four Artist Talk
The current show at the UO White Stag gallery - White Box - colses soon. Tonight the artists artists Matthew Green, Midori Hirose, Jason Traeger, Benjamin Young and curator Jesse Hayward talk about their work. At White Box in the White Stag Block 24 NW First. 6PM-7 Free
Friday, March 11, 2011
March 12 Dance Video
Kathleen Keogh performs site specific movement performance work inspired by Karl Burkheimer's installation, on and around the installation. At Disjecta www.disjecta.org 8371 N Interstate 1PM-2 Free
We don't often note shows in college galleries. First they are out of the way, second they are not well publicized. They often have quite good curators though. In this case, a video art show is at the Clark College Archer Gallery. Indweller is a show of video work by Victoria Fu, Anna Chiaretta Lavatelli, Noelle Mason and Lilly McElroy; all known and working outside Portland. At Clark College Archer Gallery www.clark.edu/archergallery 1933 Fort Vancouver Way, Vancouver, WA 6PM-8 Free
We don't often note shows in college galleries. First they are out of the way, second they are not well publicized. They often have quite good curators though. In this case, a video art show is at the Clark College Archer Gallery. Indweller is a show of video work by Victoria Fu, Anna Chiaretta Lavatelli, Noelle Mason and Lilly McElroy; all known and working outside Portland. At Clark College Archer Gallery www.clark.edu/archergallery 1933 Fort Vancouver Way, Vancouver, WA 6PM-8 Free
March 11 New York Worlds' End Space
Worksound opens a show of NY artists Erica Allen, Devon Dikeou, Noah Kalina, Jason Polan, Micheal Shelton, Breanne Trammell, Stephen Watt, curated by Melanie Flood. Flood operated an independent gallery-salon out of her Brooklyn apartment; she has relocated here, where we hope the idea catches on. At Worksound www.worksoundpdx.com 820 SE Alder Map 6PM-10
The World is Not Ending, Your World is Ending: that's a show at Gallery Homeland opening tonight. Quite a few ecologists and environmental theorists have stated the same. It's well within our capability to eliminate ourselves as a species. The earth, the hydro cycle, the carbon cycle, and "more primitive" lifeforms would do just fine, even thrive. Artists Damien Gilley, Daniel J. Glendening, Justin Gorman, Laura Hughes, Israel Lund, Joseph McVetty, Michael Reinsch, Stephen Slappe, Rebecca Steele, Craig Wheat, Michael Welsh provide their perspectives on the end of days, something that is woven into many mythic systems. So it's woven into our psychic DNA, providing a myriad of touchpoints for making and viewing art. At Gallery Homeland www.galleryhomeland.org 2505 SE 11th x Division
Mercury 7 and the New 9 is a show of prints themed on NASA's first manned spaceflights, in the Mercury spacecraft. The United States and the Soviet Union quickly divided German rocket scientists after WWII, putting them to work to gain offensive military advantage. With a successful drive to more launch power, the Soviet Union stunned the world by launching the first satellite, prosteishy sputnik in 1957, and the first person to orbit the earth, with Yuri Gagarin, in 1961. The Soviet projects preceded the American Explorer satellite, and the Mercury spacecraft, by 4 months, and 3 weeks, respectively. The first Mercury did not orbit the earth, but followed a parabolic arc. It was John Glenn who first achieved orbit, a year after Gagarin. Seven astronauts were trained for the Mercury program, the "Mercury 7". Six flew.
This is an artistic revisitation of a period of almost 50 years ago, a heady time of American economic growth, suburbs, automobiles, the cold war and fallout shelters occasioned by missiles and fear.
Artists Dave Carnie, Ashley Anson, Russ Pope, Salvador Perdomo, Kim Hamblin, and Todd Bratrud and an additional group The New Nine: Roger Seliner, Chris Johanson, David Petersen, Andy Jenkins, Jason Adams, Chris Corales, Johanna Jackson, Chris Pastras and Sam Coomes have made artwork inspired by the Mercury zeitgeist.
It's iconic material, but outside the event horizon of the artists themselves, born afterwards. It comes as America questions its commitment to space. The shuttles have landed. Space projects are enmeshed in a fierce climate battle. Most believe it will be robots that explore space. Missions to the space station are launched by a Russian space center leased from Kazakhstan, as are many communication satellites.
So this show is the beginning of an era ending, tracing an arc of inspiration, and wounding loss of soaring shuttles in 1986 and 2003, within the artists' event horizon.
An excellent show for the Artery, which specializes in editioned prints by a recent generation of artists comfortable in multiple urban creative pursuits, including skating and music. For instance, they showed Beautiful Losers, the art show accompaning the documentary film. In their new location. www.arteryportland.com 2219 NW Raleigh 7PM-9ish Free
The World is Not Ending, Your World is Ending: that's a show at Gallery Homeland opening tonight. Quite a few ecologists and environmental theorists have stated the same. It's well within our capability to eliminate ourselves as a species. The earth, the hydro cycle, the carbon cycle, and "more primitive" lifeforms would do just fine, even thrive. Artists Damien Gilley, Daniel J. Glendening, Justin Gorman, Laura Hughes, Israel Lund, Joseph McVetty, Michael Reinsch, Stephen Slappe, Rebecca Steele, Craig Wheat, Michael Welsh provide their perspectives on the end of days, something that is woven into many mythic systems. So it's woven into our psychic DNA, providing a myriad of touchpoints for making and viewing art. At Gallery Homeland www.galleryhomeland.org 2505 SE 11th x Division
Mercury 7 and the New 9 is a show of prints themed on NASA's first manned spaceflights, in the Mercury spacecraft. The United States and the Soviet Union quickly divided German rocket scientists after WWII, putting them to work to gain offensive military advantage. With a successful drive to more launch power, the Soviet Union stunned the world by launching the first satellite, prosteishy sputnik in 1957, and the first person to orbit the earth, with Yuri Gagarin, in 1961. The Soviet projects preceded the American Explorer satellite, and the Mercury spacecraft, by 4 months, and 3 weeks, respectively. The first Mercury did not orbit the earth, but followed a parabolic arc. It was John Glenn who first achieved orbit, a year after Gagarin. Seven astronauts were trained for the Mercury program, the "Mercury 7". Six flew.
This is an artistic revisitation of a period of almost 50 years ago, a heady time of American economic growth, suburbs, automobiles, the cold war and fallout shelters occasioned by missiles and fear.
Artists Dave Carnie, Ashley Anson, Russ Pope, Salvador Perdomo, Kim Hamblin, and Todd Bratrud and an additional group The New Nine: Roger Seliner, Chris Johanson, David Petersen, Andy Jenkins, Jason Adams, Chris Corales, Johanna Jackson, Chris Pastras and Sam Coomes have made artwork inspired by the Mercury zeitgeist.
It's iconic material, but outside the event horizon of the artists themselves, born afterwards. It comes as America questions its commitment to space. The shuttles have landed. Space projects are enmeshed in a fierce climate battle. Most believe it will be robots that explore space. Missions to the space station are launched by a Russian space center leased from Kazakhstan, as are many communication satellites.
So this show is the beginning of an era ending, tracing an arc of inspiration, and wounding loss of soaring shuttles in 1986 and 2003, within the artists' event horizon.
An excellent show for the Artery, which specializes in editioned prints by a recent generation of artists comfortable in multiple urban creative pursuits, including skating and music. For instance, they showed Beautiful Losers, the art show accompaning the documentary film. In their new location. www.arteryportland.com 2219 NW Raleigh 7PM-9ish Free
Saturday, March 05, 2011
March 8 Curiosity Club in Print
Katy Meegan explains and demonstrates letter press printing this evening, with each attendee making their own print on the machines. She is also cofounder of Em Space Book Arts Center and discusses how techniques developed in the 1500's are being updated and repurposed today. You can tune into the free live webcast off the Core77 site or visit in person at Hand Eye Supply www.handeyesupply.com/pages/curiosity-club 23 NW 4th 6PM Free
March 7 Evening Ragas
Little Portland has several overlapping Indian music communities. One is that surrounding experimental musicians that have expanded into it as part of their natural musical evolution. In that school, vocalist Michael Stirling, accompanied by Aran Adams, tabla; Derek Ecklund and Dr. Kelly Jenkins, tamburas; performs tonight. Bring cushions and blankets for sitting. At the Little Church, 5138 NE 23rd. 7:30PM $5-20
Wednesday, March 02, 2011
March 5 Rock, Paper, City, Holt, Library, Walk, Together
Patrick Rock is Portland's edgiest curator. The progress of art has always been about pushing beyond its edge, and the neurological interplay of receptors for familiarity and the receptors for the new. So Rock's seeking the new edge is a great bracer to Portland's grey familiarity-seeking in art. Openings are one of the premiere gatherings for thinking Portland artists, which is why we like them.
Two shows tonight at the ROCKSBOX: No Painting Left Behind by Keith Boadwee, Erin Allen and Isaac Gray and Götulist í björg kassi - Street Art at Rock's Box by Ásmundur Ásmundsson, Sigtryggur Berg Sigmarsson, Helgi Þórsson. The Icelandic show wins the copywriting award for the month and is repeated in entiriy at the bottom of the post. At Rocksbox Fine Art www.rocksboxfineart.com 6540 N Interstate 8PM-11 Free
You can see all of China in three hours at Splendid China 锦绣中华民俗村, a miniature amusement park in Shenzhen. First opened 22 years ago, pre-Google maps, it's not read by Chinese as ironic, as would, say, the Enchanted Forest, or large-scale model train installations. But these physical simulations offer a social experience in their visit which is so far absent in game engine, OpenSim, or Second Life-like experiences. In person social experience includes rich nonverbal communication, which is the base of our culture today.
Artists Marisa Green, Jessie Bazata, Sean Garrison and Rory Phillips have enlisted artists through an open call to create 3d paper simulations of things that represent Portland to them. The resulting installation is Paper City. In some ways, paper is Portland's perfect medium. Our soulful forests are its feedstock, our long history of printmaking on paper its inspiration, our social practice processes its realization. And if you are an artist, an ink jet printer, some paints, paper, scissors and glue are accessible to a myriad of inspiration. At Disjecta www.disjecta.org 8371 N Interstate 6-10PM Free
Also at Disjecta, local movement artists are making place based work. Today is Tahni Holt, experimental sculptural movement artist, who enlists collaborators Richard Decker, Sally Garrido-Spencer, Noelle Stiles and Robert Tyree and musician Tom Thorson to make a performance. The project uses Karl Burkheimer's installation. 1PM-2
Multiartist Delphine Bedient works in social practice curation with Library, a collection of collections gathered by an open call to friends and friends of friends. In a way it's an experiment in the aesthetics of friending. Recommended. At Field Work Gallery 1101 SW Jefferson. Opens 5PM-9, Runs daily, noon-6 through March 7.
So you want to be an artist. Or you want to buy art direct from the artist for mutually beneficial reasons. Or you want to see a lot of art in situ. Always popular artist open studios are this weekend in SE Portland. This is the uncurated version. For details see snackword.netfirms.com/seportlandartwalk.com/default.htm. Given that serious curation where possible includes studio visits, you can be your own curator for a weekend. 10AM-5 Saturday and Sunday. Free
Shelf Life 2 is a big group show premised on the construction of a display shelf. Cody Hudson, Mike Perry, Ryan De La Hoz, Ryan Jacob Smith, Jolby, Brandon Chuesy, Do-it, Andrew Holder, Jesse Brown, Andy Mueller and Jesse LeDoux make stuff for the shelf. Then there is Joy of Refuge by Erik Railton. And music by Brooke Parrot. It's an Alberta activation at Together Gallery www.togethergallery.com 2916 NE Alberta, Ste A Map
6PM-11 Free
And as mentioned above our copywriting of the month award goes to ...Rocksbox! And not just because it's in Icelandic. More for the content. You have been warned.
""Götulist í björg kassi!
Ásmundur Ásmundsson, Sigtryggur Berg Sigmarsson, Helgi Þórsson
Exhibition Statement
Painting is easy. A toddler can make a good painting if handed a few pleasant colors and the right “concept”. Same goes for the destitute people of the second and third world or the dimwitted animals of Africa. Even a monkey or a lion can make the canvas happy! A great artist always needs an interesting challenge to keep busy. In our post-modern era a painting can hardly be such a challenge. One could of course paint with naughty colors onto a funky canvas, and use unusual methods such as finger-painting. But either way, the toadying manners of the old masters seems intertwined with the canvas threads. The odoriferous stench of the oil can be heartwarming but where could that possibly lead us? Even painting on a radical piece of cardboard or plywood will only bring you shame. When the three of us were faced with some personal issues that could only be dealt with by means of art-making, oil on canvas was the last thing on our mind. And even if these were primal “emotions” of the gut that required a spilling, we thought a more cerebral process would be appropriate. It wasn’t until both cerebral hemispheres (actually the whole body!) protested that we admitted defeat and grabbed for the paint and started smearing it onto the canvas. Can the gist of Meconium be expressed with other means? I don’t think so. By mixing fresh out of the tube Meconium with Winsor & Newton oil colors we managed to find our own palette. With the niggardly spasms of the lethargic inner child and the funky rhythm of the primal beast-within, we found our place in the never-ending history of painterly brushstrokes. With a dash of funky black “streetart” ala Banksy and Basquiat we declare a tiny fraction of Portland Oregon, with help and permission from Patrick Rock of Rocksbox Fine Art who will hang up our tags among the bonsai trees in the back yard.
Málverk er auðvelt. A smábarn getur gert góða mynd ef hönd að nokkur skemmtilega liti og hægri "hugtak". Sama gildir um destitute fólk annars og þriðja heimsins eða dimwitted dýr í Afríku. Jafnvel api eða ljón getur gert striga hamingjusamur! Mikill listamaður þarf alltaf áhugaverð áskorun að halda upptekinn. Í kjölfar nútímanum okkar málverk getur varla verið svona áskorun. Mátti mála auðvitað með óþekkur litum inn á angurvær striga og nota óvenjulegar aðferðir eins og fingur-mála. En annar hvor vegur, virðist toadying hegðun af gömlu herrum samtvinnuð með striga þræði. The ilmandi fnykur af olíu má hjartanlegur en þar gæti það hugsanlega leitt okkur? Jafnvel að mála á róttækar stykki af pappa eða krossviður mun bara koma þér skömm. Þegar þrír af okkur voru frammi fyrir einhverjum persónulegum málefnum gæti aðeins er hægt að meðhöndla með list-gerð, olía á striga var síðast hlutur í huga okkar. Og jafnvel þótt þær voru Primal "tilfinningar" í Gut sem þarf að hella, hélt við fleiri heila ferlið væri rétt. Það var ekki fyrr en bæði heilahvela (í raun allan líkamann!) Mótmælti því að við inngöngu ósigur og grípa til mála og byrjaði smearing það á strigann. Getur gist barnabiks í legvatni gefa upp með öðrum aðferðum? Ég held ekki. Með því að blanda fersk úr slöngunni barnabiks í legvatni hjá Winsor & Newton olíu liti náðum við að finna eigin litatöflu okkar. Með niggardly krampi af daufur innra barn og angurvær hrynjandi Primal skepna-innan, við fundum stað okkar í aldrei-endir sögu malerískar brushstrokes. Með þjóta af Funky svarta "streetart" ALA Banksy og Basquiat við lýsa örlítið brot af Portland Oregon, með hjálp og leyfi frá Patrick Rock Rocksbox Fine Art sem vilja hengja upp merkingar okkar meðal Bonsai tré í bakgarð.
Biography
Ásmundur Ásmundsson - Ásmundur Ásmundsson was born in Iceland. Graduated from the Icelandic College of Arts and Crafts, Fine Art School in Akureyri, and the School of Visual Arts (MFA), New York. As an artist he analyzes contemporary art, seeks for its positive as well as negative aspects. He puts a shield against pompous meanings to lead us to think about the life as it is now and here. Asmundur breaks the connections with materialism and takes inspirations from the mass consumers' requests. His works include painting, body painting, installations, concrete objects, performance, drawings and photography. Asmundur has been rewarded many prizes for his achievements. Among many others he received a Culture Prize DV in 2009 for his exhibition "Concrete" (Hlemmur Gallery, Reykyavik, Iceland), and Special Award from Icelandic College of Arts and Crafts. Not without a reason he is considered an artist who shows up his weak and strong sides as a human. His must recent book, Dear Friends, A Collection of Speeches 2000-2010, has just been published on utudur press. This will be his second exhibition at ROCKSBOXFINEART.
Sigtryggur Berg Sigmarsson - Sigtryggur Berg Sigmarsson was born in Akureyri, Iceland in 1977. He studied sound art at the Fachochschule in Hannover, Germany from 1998 to 2003 and has been a long-time member of the band Stilluppsteypa. His work on CD has been variously described as collage, quiet drone manipulations, and calm and minimal, which offer a range of still, contemplative moments, contrasted with more discordant (though not necessarily noisy) ones. He has studied at The Royal Conservatory, Den Haag, The Netherlands, with an emphasis in Sonology/Electronic Music, and at Fachochschule Hannover, as a student of Professor Ulrich Eller, studying Meisterschüler.
Helgi Þórsson - Helgi Þórsson was born in 1975 in Reykjavik Iceland. His is both a visual artist and a sound artist. In addition to holding over 7 solo art exhibitions, he is member and co-founder of the experimental music group Stilluppsteypa, member of the Icelandic electronic super group Evil Madness, and half of duo Alien UFO with Runar Magnusson. Helgi attended the Royal Conservatory, Sonology Dept., The Hague, Rietveld Academy, in Amsterdam, and received his Masters in Fine Arts from the Sandberg Institute in Amsterdam. He has been the recipient of multiple awards and scholarships including Scholarship Fund of the Berlage, Gerrit Rietveld Prize Winner 2002, the 2002 AIAS Competition Winner in Seoul, South Korea, a Nomination KunstRAI Prize in 2003, and the 2008 Children's Choice Award. Helgi has performed in Iceland, Poland, Sweden, Holland, Germany, Spain, Belgium and the United States.""
Two shows tonight at the ROCKSBOX: No Painting Left Behind by Keith Boadwee, Erin Allen and Isaac Gray and Götulist í björg kassi - Street Art at Rock's Box by Ásmundur Ásmundsson, Sigtryggur Berg Sigmarsson, Helgi Þórsson. The Icelandic show wins the copywriting award for the month and is repeated in entiriy at the bottom of the post. At Rocksbox Fine Art www.rocksboxfineart.com 6540 N Interstate 8PM-11 Free
You can see all of China in three hours at Splendid China 锦绣中华民俗村, a miniature amusement park in Shenzhen. First opened 22 years ago, pre-Google maps, it's not read by Chinese as ironic, as would, say, the Enchanted Forest, or large-scale model train installations. But these physical simulations offer a social experience in their visit which is so far absent in game engine, OpenSim, or Second Life-like experiences. In person social experience includes rich nonverbal communication, which is the base of our culture today.
Artists Marisa Green, Jessie Bazata, Sean Garrison and Rory Phillips have enlisted artists through an open call to create 3d paper simulations of things that represent Portland to them. The resulting installation is Paper City. In some ways, paper is Portland's perfect medium. Our soulful forests are its feedstock, our long history of printmaking on paper its inspiration, our social practice processes its realization. And if you are an artist, an ink jet printer, some paints, paper, scissors and glue are accessible to a myriad of inspiration. At Disjecta www.disjecta.org 8371 N Interstate 6-10PM Free
Also at Disjecta, local movement artists are making place based work. Today is Tahni Holt, experimental sculptural movement artist, who enlists collaborators Richard Decker, Sally Garrido-Spencer, Noelle Stiles and Robert Tyree and musician Tom Thorson to make a performance. The project uses Karl Burkheimer's installation. 1PM-2
Multiartist Delphine Bedient works in social practice curation with Library, a collection of collections gathered by an open call to friends and friends of friends. In a way it's an experiment in the aesthetics of friending. Recommended. At Field Work Gallery 1101 SW Jefferson. Opens 5PM-9, Runs daily, noon-6 through March 7.
So you want to be an artist. Or you want to buy art direct from the artist for mutually beneficial reasons. Or you want to see a lot of art in situ. Always popular artist open studios are this weekend in SE Portland. This is the uncurated version. For details see snackword.netfirms.com/seportlandartwalk.com/default.htm. Given that serious curation where possible includes studio visits, you can be your own curator for a weekend. 10AM-5 Saturday and Sunday. Free
Shelf Life 2 is a big group show premised on the construction of a display shelf. Cody Hudson, Mike Perry, Ryan De La Hoz, Ryan Jacob Smith, Jolby, Brandon Chuesy, Do-it, Andrew Holder, Jesse Brown, Andy Mueller and Jesse LeDoux make stuff for the shelf. Then there is Joy of Refuge by Erik Railton. And music by Brooke Parrot. It's an Alberta activation at Together Gallery www.togethergallery.com 2916 NE Alberta, Ste A Map
6PM-11 Free
And as mentioned above our copywriting of the month award goes to ...Rocksbox! And not just because it's in Icelandic. More for the content. You have been warned.
""Götulist í björg kassi!
Ásmundur Ásmundsson, Sigtryggur Berg Sigmarsson, Helgi Þórsson
Exhibition Statement
Painting is easy. A toddler can make a good painting if handed a few pleasant colors and the right “concept”. Same goes for the destitute people of the second and third world or the dimwitted animals of Africa. Even a monkey or a lion can make the canvas happy! A great artist always needs an interesting challenge to keep busy. In our post-modern era a painting can hardly be such a challenge. One could of course paint with naughty colors onto a funky canvas, and use unusual methods such as finger-painting. But either way, the toadying manners of the old masters seems intertwined with the canvas threads. The odoriferous stench of the oil can be heartwarming but where could that possibly lead us? Even painting on a radical piece of cardboard or plywood will only bring you shame. When the three of us were faced with some personal issues that could only be dealt with by means of art-making, oil on canvas was the last thing on our mind. And even if these were primal “emotions” of the gut that required a spilling, we thought a more cerebral process would be appropriate. It wasn’t until both cerebral hemispheres (actually the whole body!) protested that we admitted defeat and grabbed for the paint and started smearing it onto the canvas. Can the gist of Meconium be expressed with other means? I don’t think so. By mixing fresh out of the tube Meconium with Winsor & Newton oil colors we managed to find our own palette. With the niggardly spasms of the lethargic inner child and the funky rhythm of the primal beast-within, we found our place in the never-ending history of painterly brushstrokes. With a dash of funky black “streetart” ala Banksy and Basquiat we declare a tiny fraction of Portland Oregon, with help and permission from Patrick Rock of Rocksbox Fine Art who will hang up our tags among the bonsai trees in the back yard.
Málverk er auðvelt. A smábarn getur gert góða mynd ef hönd að nokkur skemmtilega liti og hægri "hugtak". Sama gildir um destitute fólk annars og þriðja heimsins eða dimwitted dýr í Afríku. Jafnvel api eða ljón getur gert striga hamingjusamur! Mikill listamaður þarf alltaf áhugaverð áskorun að halda upptekinn. Í kjölfar nútímanum okkar málverk getur varla verið svona áskorun. Mátti mála auðvitað með óþekkur litum inn á angurvær striga og nota óvenjulegar aðferðir eins og fingur-mála. En annar hvor vegur, virðist toadying hegðun af gömlu herrum samtvinnuð með striga þræði. The ilmandi fnykur af olíu má hjartanlegur en þar gæti það hugsanlega leitt okkur? Jafnvel að mála á róttækar stykki af pappa eða krossviður mun bara koma þér skömm. Þegar þrír af okkur voru frammi fyrir einhverjum persónulegum málefnum gæti aðeins er hægt að meðhöndla með list-gerð, olía á striga var síðast hlutur í huga okkar. Og jafnvel þótt þær voru Primal "tilfinningar" í Gut sem þarf að hella, hélt við fleiri heila ferlið væri rétt. Það var ekki fyrr en bæði heilahvela (í raun allan líkamann!) Mótmælti því að við inngöngu ósigur og grípa til mála og byrjaði smearing það á strigann. Getur gist barnabiks í legvatni gefa upp með öðrum aðferðum? Ég held ekki. Með því að blanda fersk úr slöngunni barnabiks í legvatni hjá Winsor & Newton olíu liti náðum við að finna eigin litatöflu okkar. Með niggardly krampi af daufur innra barn og angurvær hrynjandi Primal skepna-innan, við fundum stað okkar í aldrei-endir sögu malerískar brushstrokes. Með þjóta af Funky svarta "streetart" ALA Banksy og Basquiat við lýsa örlítið brot af Portland Oregon, með hjálp og leyfi frá Patrick Rock Rocksbox Fine Art sem vilja hengja upp merkingar okkar meðal Bonsai tré í bakgarð.
Biography
Ásmundur Ásmundsson - Ásmundur Ásmundsson was born in Iceland. Graduated from the Icelandic College of Arts and Crafts, Fine Art School in Akureyri, and the School of Visual Arts (MFA), New York. As an artist he analyzes contemporary art, seeks for its positive as well as negative aspects. He puts a shield against pompous meanings to lead us to think about the life as it is now and here. Asmundur breaks the connections with materialism and takes inspirations from the mass consumers' requests. His works include painting, body painting, installations, concrete objects, performance, drawings and photography. Asmundur has been rewarded many prizes for his achievements. Among many others he received a Culture Prize DV in 2009 for his exhibition "Concrete" (Hlemmur Gallery, Reykyavik, Iceland), and Special Award from Icelandic College of Arts and Crafts. Not without a reason he is considered an artist who shows up his weak and strong sides as a human. His must recent book, Dear Friends, A Collection of Speeches 2000-2010, has just been published on utudur press. This will be his second exhibition at ROCKSBOXFINEART.
Sigtryggur Berg Sigmarsson - Sigtryggur Berg Sigmarsson was born in Akureyri, Iceland in 1977. He studied sound art at the Fachochschule in Hannover, Germany from 1998 to 2003 and has been a long-time member of the band Stilluppsteypa. His work on CD has been variously described as collage, quiet drone manipulations, and calm and minimal, which offer a range of still, contemplative moments, contrasted with more discordant (though not necessarily noisy) ones. He has studied at The Royal Conservatory, Den Haag, The Netherlands, with an emphasis in Sonology/Electronic Music, and at Fachochschule Hannover, as a student of Professor Ulrich Eller, studying Meisterschüler.
Helgi Þórsson - Helgi Þórsson was born in 1975 in Reykjavik Iceland. His is both a visual artist and a sound artist. In addition to holding over 7 solo art exhibitions, he is member and co-founder of the experimental music group Stilluppsteypa, member of the Icelandic electronic super group Evil Madness, and half of duo Alien UFO with Runar Magnusson. Helgi attended the Royal Conservatory, Sonology Dept., The Hague, Rietveld Academy, in Amsterdam, and received his Masters in Fine Arts from the Sandberg Institute in Amsterdam. He has been the recipient of multiple awards and scholarships including Scholarship Fund of the Berlage, Gerrit Rietveld Prize Winner 2002, the 2002 AIAS Competition Winner in Seoul, South Korea, a Nomination KunstRAI Prize in 2003, and the 2008 Children's Choice Award. Helgi has performed in Iceland, Poland, Sweden, Holland, Germany, Spain, Belgium and the United States.""
March 4 Eastside Art Openings
Portland artist-organizer Nim Wunnan shows Upsur Nova, drawings, at Golden Rule. Wunnan is a gifted ink illustrator and well as organizer of Research Club, which is a solid part of Portland's social practice and DIY vibe. www.goldenruleportland.com 811 E Burnside, Suite 122 in the back
Nationale has experimental musician and visual artist Ilyas Ahmed. This work is dream based collage. At Nationale thenewnationale.com 811 E Burnside Map
Redux has mixed media relief sculptures by Joe Ryckebosch made of thrift store finds. At Redux www.reduxpdx.com 811 E Burnside
All in the 811 E Burnside building.
Photography is a tool for our desire to image, as was painting before. Now we have many choices in imagemaking. Plastic cameras, children's toy cameras, pinhole cameras, even the video "still portrait" of a few minutes. So it makes sense that cameraphone photos would find themselves scrutinized on gallery walls. That's the case tonight at Newspace. Photographers include Joni Kabana, Beth Nakamura, Andy Bath, Faith Cathcart, Daniel Root, Susan Bein, Aisha Harley and Jan Sonnenmair, the curator. Each photographer has made a personal narrative, with the best camera in the world: the one with you. At Newspace Photo www.newspacephoto.org 1632 SE 10th
Nationale has experimental musician and visual artist Ilyas Ahmed. This work is dream based collage. At Nationale thenewnationale.com 811 E Burnside Map
Redux has mixed media relief sculptures by Joe Ryckebosch made of thrift store finds. At Redux www.reduxpdx.com 811 E Burnside
All in the 811 E Burnside building.
Photography is a tool for our desire to image, as was painting before. Now we have many choices in imagemaking. Plastic cameras, children's toy cameras, pinhole cameras, even the video "still portrait" of a few minutes. So it makes sense that cameraphone photos would find themselves scrutinized on gallery walls. That's the case tonight at Newspace. Photographers include Joni Kabana, Beth Nakamura, Andy Bath, Faith Cathcart, Daniel Root, Susan Bein, Aisha Harley and Jan Sonnenmair, the curator. Each photographer has made a personal narrative, with the best camera in the world: the one with you. At Newspace Photo www.newspacephoto.org 1632 SE 10th
March 3 Westside Art Openings
PSU has many openings every first Thursday. They are early, leaving plenty of time for Northward viewing later. The ever rotating and edge seeking collective Paintallica is recruiting artists in Portland. Successful portland artist and teacher Daniel Attoe is one and the Patrick Rock school of art would definitely fit in. Cool they consider mild mannered Portland a possibility! Show up a month. Talk by the ringleaders 6PM about the all nighter of collaboration they've worked on since yesterday in the Art Building lobby. Over at Autzen in Neuberger Hall Eric Franklin has an installation Basalt connecting the human body with our most noted rock features using glass and light. At PSU. Art Department Building 2000 SW 5th Opening 4PM-8, Talk 6 and Autzen Gallery, 2nd Floor PSU Neuberger Hall, Room 205, 724 SW Harrison Opening 4PM-8
Ashley Ness has a personal project at Stumptown. In her words: "Initially started after she was denied a job with American Apparel at the age of 25, American Girl, 2005-2011 documents Ashley Neese's aging process in a culture where youth is celebrated as the ultimate asset. Exploring the empowerment one woman finds in reclaiming her age, this exhibition is a five year photographic journey about what it means to be sexy on somebody else's terms, and ultimately, the liberation that it inspires." She is a good eater too! At Stumptown www.stumptowncoffee.com 128 SW 3rd
Elizabeth Leach has the premere show of the evening. Matt McCormick shows new West-based work. One piece is the retrace of a roadtrip, originally made in the 1950's, and rediscovered by the artist as a thrift store found scrapbook. There is also a greatest hits of Portland now show with Dan Attoe, MK Guth, Jessica Jackson Hutchins, Johanna Jackson, Chris Johanson, Arnold Kemp and Michael Lazarus. Well worth the time to understand why each was selected. At Elizabeth Leach Gallery www.elizabethleach.com 417 NW 9th Map
BlueSky has a show by noted American photographer Mary Ellen Mark. Working since the 1970's, she is known for her documentary photography. The work takes both galleries. She also speaks at Reed on March 30 about her work. At Blue Sky Gallery www.blueskygallery.org map 122 NW 8th
Hellion opens a new space in the cool block, home to many a creative project. Showing is Ai Ohkawara, liquid illustration style figurative work. At new Hellion Gallery www.helliongallery.com 19 NW 5th, #208. Door to the left of Upper Playground - stairs up. 6PM-9
Compound has a type show, Special Characters, curated by Nate Tabor. Includes Jessica Hische, Greg Lamarche, Brad Simon:, Friends of Type, Tom O'toole, Adam Garcia, Sean Barton, Craig Redman and Christopher Degaetano. At Compound Gallery www.compoundgallery.com 107 NW 5th
For something a little different, see Scissors, Glue, & Insomnia, psychedelic collages by Christian Collins aka DJ Blue Spectral Monkey. At Groove Suite 440 NW Glisan. Music beginning at 9, sequeing into deep house later. 9-late Free
The W+K lobby has an experimental movement and visual artist collaboration. At W+K www.wk.com 224 NW 13th Map 6PM-9
The Everett Lofts, bounded by NW Broadway, Flanders, 6th and Everett are always recommended for your viewing pleasure.
Ashley Ness has a personal project at Stumptown. In her words: "Initially started after she was denied a job with American Apparel at the age of 25, American Girl, 2005-2011 documents Ashley Neese's aging process in a culture where youth is celebrated as the ultimate asset. Exploring the empowerment one woman finds in reclaiming her age, this exhibition is a five year photographic journey about what it means to be sexy on somebody else's terms, and ultimately, the liberation that it inspires." She is a good eater too! At Stumptown www.stumptowncoffee.com 128 SW 3rd
Elizabeth Leach has the premere show of the evening. Matt McCormick shows new West-based work. One piece is the retrace of a roadtrip, originally made in the 1950's, and rediscovered by the artist as a thrift store found scrapbook. There is also a greatest hits of Portland now show with Dan Attoe, MK Guth, Jessica Jackson Hutchins, Johanna Jackson, Chris Johanson, Arnold Kemp and Michael Lazarus. Well worth the time to understand why each was selected. At Elizabeth Leach Gallery www.elizabethleach.com 417 NW 9th Map
BlueSky has a show by noted American photographer Mary Ellen Mark. Working since the 1970's, she is known for her documentary photography. The work takes both galleries. She also speaks at Reed on March 30 about her work. At Blue Sky Gallery www.blueskygallery.org map 122 NW 8th
Hellion opens a new space in the cool block, home to many a creative project. Showing is Ai Ohkawara, liquid illustration style figurative work. At new Hellion Gallery www.helliongallery.com 19 NW 5th, #208. Door to the left of Upper Playground - stairs up. 6PM-9
Compound has a type show, Special Characters, curated by Nate Tabor. Includes Jessica Hische, Greg Lamarche, Brad Simon:, Friends of Type, Tom O'toole, Adam Garcia, Sean Barton, Craig Redman and Christopher Degaetano. At Compound Gallery www.compoundgallery.com 107 NW 5th
For something a little different, see Scissors, Glue, & Insomnia, psychedelic collages by Christian Collins aka DJ Blue Spectral Monkey. At Groove Suite 440 NW Glisan. Music beginning at 9, sequeing into deep house later. 9-late Free
The W+K lobby has an experimental movement and visual artist collaboration. At W+K www.wk.com 224 NW 13th Map 6PM-9
The Everett Lofts, bounded by NW Broadway, Flanders, 6th and Everett are always recommended for your viewing pleasure.
March 2-5 RAWrrr
Reed Arts Week is this week. And has a conceptual place-based focus this year, even more so than usual. Included are works from international artists like Francis Alÿs - videos; experimental cartographer, Lize Mogel; Oregon artist Melvin Edward Nelson, making work with a similar inspiration to Australian Aborigine songlines; environmental choreographer Kathy Westwater; large scale sculptor Ben Wolf. Noted local artists are involved in a program with music, theater, lectures, participation. Reed students show their work. Best of all, all curated and created by Reed students. Full details and schedule at reed.edu/raw Free
Wednesday, February 23, 2011
February 27 You Who La Cucaracha
Portland's adult-child variety show put on by artist-musicians returns. The thesis is that adults need not be bored to oblivion by childrens' material and the reverse, which is really more important. Small ones might need earplugs, but that's no reason to not go with kidchilds. Performers include the Corin Tucker Band and DJ Anjali. Advance tickets which you will need to get in at www.youwhoportland.com and Black Wagon. Doors noon, show one.
A little later Publication Studio principal Mathew Stadler releases his own novel La Cucaracha. Stadler is noted writer, editor and publisher operating in Seattle, New York, Amsterdam and Portland. Reservations requested please, owing a very very small space, but it's free. RSVP via email at http://www.publicationstudio.biz/events/ 6PM-8 Free
A little later Publication Studio principal Mathew Stadler releases his own novel La Cucaracha. Stadler is noted writer, editor and publisher operating in Seattle, New York, Amsterdam and Portland. Reservations requested please, owing a very very small space, but it's free. RSVP via email at http://www.publicationstudio.biz/events/ 6PM-8 Free
February 26 Motley Crew
Publication Studio has been making a name and a business printing on demand books that reach their intended audience, not just fill the pipes. It's a far cry from the expired business model of the late Borders and upstream pipe publishers. Tonight is the release of John Motley's thoughtful writing on shows at Fourteen30 Contemporary Art, one of the most progressive Portland galleries, if not the most. Writing is critical in constructing narrative around art. RSVP required, owing a very very small space, but it's free. RSVP via email at http://www.publicationstudio.biz/events/ 7PM-10 Free
(By the way, send to LA friends news of a PubStud event on Chung King Road tonight too)
Disjecta opens a large installation fabricated of wood by Karl Burkheimer. It was curated by large installation sculptor Jeanine Nagy, who has spectacularly filled the space in the past. At Disjecta www.disjecta.org 8371 N Interstate 6-10PM Free
(By the way, send to LA friends news of a PubStud event on Chung King Road tonight too)
Disjecta opens a large installation fabricated of wood by Karl Burkheimer. It was curated by large installation sculptor Jeanine Nagy, who has spectacularly filled the space in the past. At Disjecta www.disjecta.org 8371 N Interstate 6-10PM Free
February 25 Free The Museum Appendix
I'm a huge proponent of free, most events listed here are free. On the other hand, many arts organizations which charge fees hire artists as staff, which I also strongly support. And many cultural organizations that charge admission have have yearly membership programs that pay themselves back in 3 visits for two in a year. How do you decide whether the year membership is valuable to you? Go on a free day! And the Art Museum is free tonight.Go early and see the whole thing and weigh little discounts, a dollar, for films, and not paying for blockbuster shows. It's a vertical workout, but the Masonic contemporary wing is best viewed from lowest floor to the top and after check the NW contemporary show at APEX. At the Portland Art Museum www.pam.org 1219 SW Park 5PM-8 Free
Sylvie Deutsch has an event at Appendix. They have been having occasional events over the Winter, and they are always challenging in a good way. At Appendix Project Space. On the alley between 26th and 27th, South of Alberta. Wear shoes you can get muddy. www.appendixspace.com Map 7PM Free
Sylvie Deutsch has an event at Appendix. They have been having occasional events over the Winter, and they are always challenging in a good way. At Appendix Project Space. On the alley between 26th and 27th, South of Alberta. Wear shoes you can get muddy. www.appendixspace.com Map 7PM Free
February 25-27 Bikes Attack!
The bicycle film festival returns to Portland. It's an international phenomena with showings in Lisbon, Liverpool, London, Milan, Montreal, Munich, Paris, Sao Paulo, Seoul, Sydney, Taipei, Tokyo, Toronto, Vienna and Portland! There are films Friday evening and Saturday afternoon on, with after events, all within riding distance! It's always a pleasure to see a bike pile on Clinton where the bike crush overwhelms locking spots! Get tickets in advance. At Clinton Street Theater 2522 SE Clinton 7PM on Friday, 3on Saturday $9.43 per show online
February 24 Ice Foot Worldchanging Department
I'm going to be frank. I cast a jaundiced eye upon identity-based art. Not sure if bringing a block of ice from the arctic to the Bahamas qualifies, but if that interests you you can research the artist Tavares Strachan who speaks tonight at PNCA and decide whether to go. At PNCA 1241 NW Johnson 6:30PM Free
Meanwhile over at Goodfoot a show by Adam Sheppard, Joel Barber, Johnny Tragedy and Tripper Dungan opens. At www.thegoodfoot.com/gallery 2845 SE Stark Map 4PM-late
It's no secret worldchanging is my interest. That has many dimensions. Those interested in the broad range of worldchanging options mught be interested in the work of Vandana Shiva. Her angle is local, small scale, innovation. She speaks at a World Affairs Council of Oregon event the evening before and her talk at PCC may be streamed free - check the link. 10AM PCC Cascade Free
We like the Art Department because they have a good business savvy in presenting Portland arts and culture. That's required for sustainability. For example, one of their principals self published a book on the history, philosophy and international duplicability of food carts. Tonight they open their doors at a new exhibition and collaborative space specifically to recent art grads, art students, art curators and art teachers to network and find new material for future shows. See adxportland.com 6PM Free
Meanwhile over at Goodfoot a show by Adam Sheppard, Joel Barber, Johnny Tragedy and Tripper Dungan opens. At www.thegoodfoot.com/gallery 2845 SE Stark Map 4PM-late
It's no secret worldchanging is my interest. That has many dimensions. Those interested in the broad range of worldchanging options mught be interested in the work of Vandana Shiva. Her angle is local, small scale, innovation. She speaks at a World Affairs Council of Oregon event the evening before and her talk at PCC may be streamed free - check the link. 10AM PCC Cascade Free
We like the Art Department because they have a good business savvy in presenting Portland arts and culture. That's required for sustainability. For example, one of their principals self published a book on the history, philosophy and international duplicability of food carts. Tonight they open their doors at a new exhibition and collaborative space specifically to recent art grads, art students, art curators and art teachers to network and find new material for future shows. See adxportland.com 6PM Free
Tuesday, February 22, 2011
February 23 Is It a Mouse? Is It a Ghost?
This idea started in Brooklyn. It's a perfect excample of new arts presentation models that are popular with audiences, and are fueled by drink sales. Hope the performers and artists are paid. Tonight's Portland edition of Mouse Ghost is coproduced by Ladycop and Together Gallery as a ladycop tour platform. Visual arts include Together editioned prints by Evan B. Harris, Ben Tour, Adam Friedman, Mark Warren Jacques, Nas Chompas, Timothy Karpinski and David Wein at $40 and $80. Jessie Malmed, who is also part of Deep Leap Microcinema, doing a multimedia performace. Fashion will be represented by Golden Rule, Little Edie's Five and Dime, and Clawhammer and Clothespin. Choreographer-dancer Lucy Yim previews Loose Hands Lunging with Jin Camou, Alyssa Reed and Danielle Ross and accompanied by Jean Paul Jenkins and Michael Degutis. At Holocene www.holocene.org 1001 SE Morrison 9PM $5
Friday, February 18, 2011
February 22 The Mystery of Upholstery
Upholstery is part of our unconscious physical landscape, but how is it made? You can find out this evening from Erin Lolcama of Acanthus Green Upholstery. In addition to touching on the crafty art's history, Lolcama talks about more sustainable and non-toxic materials she uses in her own practice. You can tune into the free live webcast off the Core77 site or visit in person at Hand Eye Supply www.handeyesupply.com/pages/curiosity-club 23 NW 4th 6PM Free
February 21 Free Japanese Garden and Free Art
The Portland Japanese Garden is free for all today. japanesegarden.com 611 SW Kingston Avenue. 10AM-4.
Portland and some other cities have public art programs funded by a percentage on city construction. New York too, and the result is a defacto public art collection. New York City curator and director of the City public art program Sara Reisman talks about each of those projects, public art and non-public sector curation. Talk Monday in the Shattuck Hall Annex, SW Broadway and Hall on the PSU Campus Map. 7:30PM Free
Portland and some other cities have public art programs funded by a percentage on city construction. New York too, and the result is a defacto public art collection. New York City curator and director of the City public art program Sara Reisman talks about each of those projects, public art and non-public sector curation. Talk Monday in the Shattuck Hall Annex, SW Broadway and Hall on the PSU Campus Map. 7:30PM Free
February 20 Some Days Spring Research
Local filmmaker Matt McCormick has built a steady career on film curation, distribution, making a festival, art shorts, installation, landscape film, advertising work, music videos, photography and music. You could say he's the artist-filmmaker's filmmaker-artist. He has created his first feature Some Days Are Better Than Others. It's not Reichert, or Van Sant, or Haynes or Miranda July even, it's its own thing. The film priemered at SXSW last year, shows in Portland tonight and proceeds on to MOMA in NYC and other major cities in the coming months. Part of the Portland International Film Festival. www.nwfilm.org In the Art Museum Whitsell Auditorium, www.nwfilm.org 1219 SW Park 7:30PM $8-10
Music continually evolves. Where there is an historical record of who composed a piece, there is also an historical record of the work being loved by new music lovers and hated by old music lovers. And of course today's new music lovers are sometimes tomorrow's new music haters. An example is the composer Igor Stravinsky (1882-1971), early modernist. He wrote his first symphony at 25. A very famous piece, Rite of Spring, begun when the composer was 29, was first performed when he was 31. It elicited the following review: "The most essential characteristic of [The Rite of Spring] is that it is the most dissonant and the most discordant composition yet written. Never was the system and the cult of the wrong note practiced with so much industry, zeal and fury." The premiere of the dance performance in collaboration with greats Nijinsky and Diaghilev, actually erupted into fistfights in the audience and the police were called. The Oregon Ballet Theater is reprising classic Stravinsky modern ballet and commissioning local performers to make new work to Stravinsky. The collaborators speak on the project which performs February 26 - March 5. Describing the process of creating work include Rachel Tess, Rumpus Room Dance; Anne Mueller, Oregon Ballet Theatre; Jamey Hampton and Ashley Roland, BodyVox; costume designer Morgan Walker, PNCA; and composer Heather Perkins. More info at OBT Stravinsky Program www.obt.org/season_program3.html. PNCA talk today at PNCA 13th and NW Johnson. 2PM-4 Free
The Research Club continues its intimate and informative brunch series, today returning to the intimate and informative False Front Studio, near Alberta. This brunch includes presentations by Jamie Marie Waelchli, the artist showing Thought Maps this month at the gallery, speaking on her work; Alison Jean Cole, on her peer to peer open source university project and institution-free degree granting; Michael Cook from the City Repair Project, Portland champion mud hut activists, and an idea that has spread to other cities; and Abraham Ingle, from Portland Skill Share and also famous for artist projects such at the Neighborhood Diaries podcasts. Bring vegan or vegetarian friendly food to share. In an important DIY action to cut down on the many pounds of garbage the event could generate, bring your own cup, plate and utensils, hey maybe a cloth napkin! A project of research-club.org At False Front Studio www.falsefrontstudio.com 4518 NE 32nd Map noon-3 Free
Music continually evolves. Where there is an historical record of who composed a piece, there is also an historical record of the work being loved by new music lovers and hated by old music lovers. And of course today's new music lovers are sometimes tomorrow's new music haters. An example is the composer Igor Stravinsky (1882-1971), early modernist. He wrote his first symphony at 25. A very famous piece, Rite of Spring, begun when the composer was 29, was first performed when he was 31. It elicited the following review: "The most essential characteristic of [The Rite of Spring] is that it is the most dissonant and the most discordant composition yet written. Never was the system and the cult of the wrong note practiced with so much industry, zeal and fury." The premiere of the dance performance in collaboration with greats Nijinsky and Diaghilev, actually erupted into fistfights in the audience and the police were called. The Oregon Ballet Theater is reprising classic Stravinsky modern ballet and commissioning local performers to make new work to Stravinsky. The collaborators speak on the project which performs February 26 - March 5. Describing the process of creating work include Rachel Tess, Rumpus Room Dance; Anne Mueller, Oregon Ballet Theatre; Jamey Hampton and Ashley Roland, BodyVox; costume designer Morgan Walker, PNCA; and composer Heather Perkins. More info at OBT Stravinsky Program www.obt.org/season_program3.html. PNCA talk today at PNCA 13th and NW Johnson. 2PM-4 Free
The Research Club continues its intimate and informative brunch series, today returning to the intimate and informative False Front Studio, near Alberta. This brunch includes presentations by Jamie Marie Waelchli, the artist showing Thought Maps this month at the gallery, speaking on her work; Alison Jean Cole, on her peer to peer open source university project and institution-free degree granting; Michael Cook from the City Repair Project, Portland champion mud hut activists, and an idea that has spread to other cities; and Abraham Ingle, from Portland Skill Share and also famous for artist projects such at the Neighborhood Diaries podcasts. Bring vegan or vegetarian friendly food to share. In an important DIY action to cut down on the many pounds of garbage the event could generate, bring your own cup, plate and utensils, hey maybe a cloth napkin! A project of research-club.org At False Front Studio www.falsefrontstudio.com 4518 NE 32nd Map noon-3 Free
February 19 Mall Grow
Seemingly distant in culture, both tonight are doing good things, thanks to artists.
At Project Grow, Why make Art? is a part of their lecture series. Leading off with films by some very creative filmmakers, Karl Lind and Jennifer Keyser, the evening segues to socializing and a discussion by Harrell Fletcher, Chris Johanson, Avalon Kalin, Sandy Samson, Larry Supnet and Karl Lind on the why. At Project Grow at the Port City Development Center. 2156 N Williams Ave at Tillamook. Films 6PM, talk 7. Free
Meanwhile at the mall...IN(ter)DEPENDENCE, is a group show of shows from interdependent independent curators and spaces. Included artists nurturing curators include &Review: Jeff Guay, Jesse Malmed, Morgan Ritter; Appendix Project Space: Zack Rose; Deep Leap Microcinema: Tabor Robak, Duncan Malashock, Philippe Blanchard and Mark Essen with artist made video games; Elizabeth Lamb (OSU White Box): Weird Fiction; False Front: Jason Doize; Golden Rule: Emily Counts; Half/Dozen: Michelle Liccardo; Kelly Rauer (Portland Art Center, NAAU): Mack McFarland; Little Field: Nathanial Oester; RECESS: DIY Lover, Alicia Gordon, Sean Patrick Higgins; Place: Juleen Johnson; Tribute Gallery: J.Brown and Courtney Cullen. The following will also bring artists: Ditch Projects and Grand Detour. At the Pioneer Place Mall, bounded by SW Morrison, Yamhill, 5th and 6th. Third floor. 6PM-9 Free
And a little off the beaten path is the always entertaining San Francisco Chinese New Year Parade and Treasure Hunt! Parade & Hunt. San Francisco 4:30PM & 5:15 Free & $10-40 per person
At Project Grow, Why make Art? is a part of their lecture series. Leading off with films by some very creative filmmakers, Karl Lind and Jennifer Keyser, the evening segues to socializing and a discussion by Harrell Fletcher, Chris Johanson, Avalon Kalin, Sandy Samson, Larry Supnet and Karl Lind on the why. At Project Grow at the Port City Development Center. 2156 N Williams Ave at Tillamook. Films 6PM, talk 7. Free
Meanwhile at the mall...IN(ter)DEPENDENCE, is a group show of shows from interdependent independent curators and spaces. Included artists nurturing curators include &Review: Jeff Guay, Jesse Malmed, Morgan Ritter; Appendix Project Space: Zack Rose; Deep Leap Microcinema: Tabor Robak, Duncan Malashock, Philippe Blanchard and Mark Essen with artist made video games; Elizabeth Lamb (OSU White Box): Weird Fiction; False Front: Jason Doize; Golden Rule: Emily Counts; Half/Dozen: Michelle Liccardo; Kelly Rauer (Portland Art Center, NAAU): Mack McFarland; Little Field: Nathanial Oester; RECESS: DIY Lover, Alicia Gordon, Sean Patrick Higgins; Place: Juleen Johnson; Tribute Gallery: J.Brown and Courtney Cullen. The following will also bring artists: Ditch Projects and Grand Detour. At the Pioneer Place Mall, bounded by SW Morrison, Yamhill, 5th and 6th. Third floor. 6PM-9 Free
And a little off the beaten path is the always entertaining San Francisco Chinese New Year Parade and Treasure Hunt! Parade & Hunt. San Francisco 4:30PM & 5:15 Free & $10-40 per person
Wednesday, February 16, 2011
February 17 Carolee Schneemann at PCC
Carolee Schneeman is an artist working since the late 1950's as painter, performer, filmmaker, writer. Definitely an artists' artist, and an artist driven by issues. She has inquired into the body, sexuality, experimental dance, food and the socio-political issues of war and feminism. Schneeman speaks of her work in a talk titled Mysteries of the Iconographies. This is a big win for PCC to present such an artist, it was organized by the students themselves, good job. Performing Arts Center, PCC Sylvania Campus 12000 SW 49th. 7PM. Parking per carload $3, Lecture Performance Free
Wednesday, February 09, 2011
February 11-12 Revenge of Revenge of Revenge of The Whale
Moby Dick is an epic American novel. It is still interesting today, weaving themes of American exceptionalism, Christian dominion over the earth and beasts, the then quest for whale oil, now replaced by ground oil, anthropomorphism of whales, more realized now, and tragedy. Since I think I read it last in about junior high school, a reading may be a pleasant refresher. Organized by the IPRC, 135 readers will read aloud a chapter of the book. The event starts at Powell's Friday evening and continues at undisclosed locations for a continuous 24 hours. At Powell's Books 5PM-10 Free
Sunday, February 06, 2011
February 11 UN Susan Rice
Susan Rice will be Secretary of State. She is bright and accomplished. To get to that position, you have to have made grave errors that seemed right at the time. It's the way of the world. The current Secretary of State was surely involved in the US and the UN not intervening in Rwanda in 1994. Rice was involved in the 1999 Lomé Accords which not only legitimized one of the 20th Century's most horrific rebel wars, but rewarded its leader with control over the country's diamond exports. Nonetheless, she is a fascinating speaker and, as the United States Ambassador to the United Nations, one of Obama's most powerful foreign policy team players. Rice speaks as guest of the Portland World Affairs Council. Tickets www.worldoregon.org/events/registration/susan_rice.php At the First Congregational United Church of Christ, 1126 SW Park. 7PM $20, $10 students
February 10 RECESS is Over
The Artistery has declared success and is closing. The Artistery has been one of Portland's most successful all ages venues. Music is art. It's not covered here because others do it much better elsewhere. Music and art have thrived together at the Artistery in a building likely to be town down by developers and that day has come. It joins whole neighborhoods no more that were home to artist studios, band practice space, experimental performance spaces, collaboration and leading edge culture, worldwide.
An Artistery project is the RECESS Gallery programmed by experimental curator Tori Abernathy. Abernathy combines a deep curiosity for systems thinking, social practice ideas proposed by Joseph Beuys and a John Cage-like process of chance combination. In an ongoing, The Synthesis Series, at RECESS and in other venues, she has arranged artist collaborator pairs by chance, that shift. Other shows have included leading idea based Portland artists, social media themed art, mobile phone generated art, art on language and memory.
This Thursday is one of the last times the art venue will be open. Stop by. At RECESS recesspdx.blogspot.com 4315 SE Division 7PM-11
An Artistery project is the RECESS Gallery programmed by experimental curator Tori Abernathy. Abernathy combines a deep curiosity for systems thinking, social practice ideas proposed by Joseph Beuys and a John Cage-like process of chance combination. In an ongoing, The Synthesis Series, at RECESS and in other venues, she has arranged artist collaborator pairs by chance, that shift. Other shows have included leading idea based Portland artists, social media themed art, mobile phone generated art, art on language and memory.
This Thursday is one of the last times the art venue will be open. Stop by. At RECESS recesspdx.blogspot.com 4315 SE Division 7PM-11
February 9 Blow Dyne
Khaela Maricich is performer The Blow. In several incarnations, The Blow has included Jona Bechtolt, now half of Yacht, and has been solo. Khaela has also performed stellar multimedia spoken pieces, essentially stories. Melissa Dyne is a polymode artist too, working in large scale sculpture installation, inspired by a deep interest in science. They have been collaborating lately, combining songs, narrative, lighting and sound influenced by audience reaction. So in a way the audiences become coequal participants in something new. Perhaps it's social sculpture, or audience, artist, performance sculpture. Hear about it. At the Cleaners at the Ace Hotel, corner SW 10th and Stark, 7PM-8:30 $7
Saturday, February 05, 2011
February 6, 7 Stratman on Film
I first came across experimental filmmaker adventurer Deborah Stratman through Matt McCormick's Experimental and Documentary Film Festival. Matt distributes some of Stratman's films. Stratman's Kings of the Sky is the fruit of traveling lightly with camera into Uygurland, Western China. I worked on a project with a stellar Uygur translator, but we didn't talk politics, so the idea of tightrope walking as a cultural meme is cool. Stratman has formed a relationship with Portland as a result of that initial encounter too. Sunday she shows films and workshops with aspiring filmmakers at the NW Film Center. Monday she speaks at PSU. Recommended.
Workshops and consultation through the Film Center www.nwfilm.org/calendar/2011/02/08/deborahstratmanw11 10AM-3 Sunday $20
Screenings at the Film Center nwfilm.org/screenings/32/288/#1807 Sunday 7:30PM Whitsell Auditorium $10
Talk Monday in the Shattuck Hall Annex, 1914 SW Park Avenue, at the corner of SW Broadway and Hall on the PSU campus. 7:30PM Free
Workshops and consultation through the Film Center www.nwfilm.org/calendar/2011/02/08/deborahstratmanw11 10AM-3 Sunday $20
Screenings at the Film Center nwfilm.org/screenings/32/288/#1807 Sunday 7:30PM Whitsell Auditorium $10
Talk Monday in the Shattuck Hall Annex, 1914 SW Park Avenue, at the corner of SW Broadway and Hall on the PSU campus. 7:30PM Free
February 6 Performance Recital
I have always found the word recital odd. It came to my ears from musician friends, performing in music school. Tonight it's the name given to a an occasional series at intimate Valentines. Movers Jin Camou and Lucy Yim have collected performers Justin Smith, Maesie Speer, Dana Dart McLean and Heather McKenzie. More at recitalpdx.wordpress.com. Event at Valentines valentineslifeblood.blogspot.com 232 SW Ankeny Art 9PM, $5-10
Tuesday, February 01, 2011
February 5 Mighty Together Whitebox Lightdome
Paulskeee, Master Culture and the Universal Zulu Nation present Mighty4. 5x5 crews battle for $500. Tecumseh and Surreal - 206 Zulu - on the wheels of steel. Live aerosol art by Kauz Roc. MC performances by Orbitron and Theory Hazit. Poppin showcase by New Lineage - BopNTodd, Donnamation, Icon - and Einstein - 45th Parallel Zulu Nation. Judges Paulskee - Rock Force Crew - Orb - Circle Of Fire, Soul Shifters - and Thesis - Knuckleheads Cali. Crews: Foreign Objects, Soul Phase, Crisis Crew, Massive Monkees, Rhythm Bandits, New Birth, Raw Action, Wicked FX, Vicious Puppies, Unleashed, Moon Patrol, Tang N the gang, Tangled Roots, Tru Roots, Art Of Movement and Hamburgerlicious. 109 SE Salmon Doors 6PM Battles 7 All Ages Kids 12 and under Free otherwise $15
Together Gallery opens Supernatural and The King's 6th Finger. Supernatural is work by Adam Friedman, Nicole Linde, David Wien, Cody Cochrane and Betsy Walton. The King's 6th Finger is a children's book with illustrations by Jolby and Rachel Roellke. Musical interludes by Barna Howard, Vikesh Kapoor, and The Moon in Light. At Together Gallery www.togethergallery.com 2916 NE Alberta, Ste A Map 6PM-11, Music 9 Free
The UO-PDX Whitebox Gallery opens Collect Four, Matthew Green, Midori Hirose, Jason Traeger and Benjamin Young as curated by Jessie Hayward. It's nicely hung sparsley. Recommended. At White Box in the White Stag Block 24 NW First. Opening reception 6PM-8 Free
It's that time of year that though theoretically days are lengthening, our bodies are still in Winter. So it's a great opportunity to bathe in light. Seek the light yurt and its astral travelers for solace.
Together Gallery opens Supernatural and The King's 6th Finger. Supernatural is work by Adam Friedman, Nicole Linde, David Wien, Cody Cochrane and Betsy Walton. The King's 6th Finger is a children's book with illustrations by Jolby and Rachel Roellke. Musical interludes by Barna Howard, Vikesh Kapoor, and The Moon in Light. At Together Gallery www.togethergallery.com 2916 NE Alberta, Ste A Map 6PM-11, Music 9 Free
The UO-PDX Whitebox Gallery opens Collect Four, Matthew Green, Midori Hirose, Jason Traeger and Benjamin Young as curated by Jessie Hayward. It's nicely hung sparsley. Recommended. At White Box in the White Stag Block 24 NW First. Opening reception 6PM-8 Free
It's that time of year that though theoretically days are lengthening, our bodies are still in Winter. So it's a great opportunity to bathe in light. Seek the light yurt and its astral travelers for solace.
February 4-6 And Everything is Going Fine
I am convinced that the appreciation of storytelling is in our DNA. Your and my auditory neocortex differs significantly from other species while retaining the deep brain connections tied to primitive emotion.
Thus the history of human is the history of storytelling. From the Illiad and epic, spoken or sung, found in many early cultures, to our appreciation of the lyrics of the sappiest of pop music, our brains, trained by storytelling from infancy, are narrative hungry.
Spaulding Gray was one of America's primier storytellers. A theater person, he found his groove with sit down storytelling. It's a little like stand up comedy, but less ADD. For instance, see his famous monologue Swimming To Cambodia, a tiptoe around one of the top five human-made tradegies of the 20th Century.
The great filmmaker Steven Soderbergh has woven the metanarrative of Gray into a film. It's a great review of the Gray era. Many followed, including former Portlander Miranda July. Today it has become a popular art form with examples Mike Daisey, and many performative storytellers curated by The Moth, Radiolab, Portland's Back Fence, Mortified, Nervous Breakdown and more.
The film has its Portland premiere at NW Film Center. In the Art Museum Whitsell Auditorium, www.nwfilm.org 1219 SW Park, 7PM Friday, 9PM Saturday, 4:45PM Sunday $9
Thus the history of human is the history of storytelling. From the Illiad and epic, spoken or sung, found in many early cultures, to our appreciation of the lyrics of the sappiest of pop music, our brains, trained by storytelling from infancy, are narrative hungry.
Spaulding Gray was one of America's primier storytellers. A theater person, he found his groove with sit down storytelling. It's a little like stand up comedy, but less ADD. For instance, see his famous monologue Swimming To Cambodia, a tiptoe around one of the top five human-made tradegies of the 20th Century.
The great filmmaker Steven Soderbergh has woven the metanarrative of Gray into a film. It's a great review of the Gray era. Many followed, including former Portlander Miranda July. Today it has become a popular art form with examples Mike Daisey, and many performative storytellers curated by The Moth, Radiolab, Portland's Back Fence, Mortified, Nervous Breakdown and more.
The film has its Portland premiere at NW Film Center. In the Art Museum Whitsell Auditorium, www.nwfilm.org 1219 SW Park, 7PM Friday, 9PM Saturday, 4:45PM Sunday $9
February 4 Eastside Art Openings
Bruce Conkle, well known for his Northwest Eco-Baroque sculpture installations, is guest Grow artist. Grow, building on its social practice art taproot, adds a lot of artmaking by Grow clients. Now they have a large exhibition space for showing guests and collaborations to the Portland Art world. Tonoght is it Conkle inspiring Project Grow artists and being inspired by them. See it at Project Grow at the Port City Development Center. 2156 N Williams Ave at Tillamook. 7PM-10
Golden Rule kicks off a new show which includes sleeping in the gallery performance experiments, An Invitation to Sleep. Artists Emily Counts, Sally England, Amanda Luna and Alexis Powell have made dream theme works for the space inspiration. At Golden Rule Gallery www.goldenruleportland.com 811 E Burnside, Suite 122 in the back
Local, national, international fav Kendra Binney opens new work way down in Sellwood. At Tilde www.tildeshop.com 7919 SE 13th 6PM-9
The Press Club has art shows but I rarely get up that way Fridays. They also have great film, food and tuneage. Tonight they host Portland multiartist Rachel Blumberg. You have probably seen her illustration-style work and heard her music without putting them together. This work is flatter style figure painting. At the Press Club 2621 SE Clinton
I like Local Goods and local goods too. They often have surprisingly good art shows, and although I haven't seen this artist, Marilyn Potter, I am curious. At Local Goods, LLC 2136 E Burnside 5:30PM-8
As always, the rest of the 811 block is recommended, Nationale and Redux!
Golden Rule kicks off a new show which includes sleeping in the gallery performance experiments, An Invitation to Sleep. Artists Emily Counts, Sally England, Amanda Luna and Alexis Powell have made dream theme works for the space inspiration. At Golden Rule Gallery www.goldenruleportland.com 811 E Burnside, Suite 122 in the back
Local, national, international fav Kendra Binney opens new work way down in Sellwood. At Tilde www.tildeshop.com 7919 SE 13th 6PM-9
The Press Club has art shows but I rarely get up that way Fridays. They also have great film, food and tuneage. Tonight they host Portland multiartist Rachel Blumberg. You have probably seen her illustration-style work and heard her music without putting them together. This work is flatter style figure painting. At the Press Club 2621 SE Clinton
I like Local Goods and local goods too. They often have surprisingly good art shows, and although I haven't seen this artist, Marilyn Potter, I am curious. At Local Goods, LLC 2136 E Burnside 5:30PM-8
As always, the rest of the 811 block is recommended, Nationale and Redux!
February 3 Westside Art Openings
Wondering what to do tonight? Free? Wonder no longer.
Christine Clark has been infecting metal students at Oregon College of Arts and Crafts with contemporary for some time. Her own work has run recently to very detailed wire constructions. The work is at the Nine Gallery inside Blue Sky, an artist formed and run gallery specializing in installation and contemporary work. The Nine Gallery inside Blue Sky 122 NW 8th
Courier Coffee continues its art program with a group show. The space alternates between guest curators and guest artists. This show, themed Intuition, includes Portland, Austin, SF, LA, Guatemala and other contributions. DJ from House of Records spinning international rock, soul and funk. At Courier Coffee. 923 SW Oak 5PM-late
The revenge of the Oregon Painting Society is a double show at PSU. Society collective member Jason Traeger shows New Perspectives in Cave Painting. Painting Society proper shows now you c me now you don't / joker n the deck. Trager in Autzen Gallery - Second floor, PSU Neuberger Hall, Room 205, 724 SW Harrison Society in AB Lobby Gallery, PSU Art Department Building Lobby, 2000 SW 5th. While you are there check another show in the upstairs gallery. All three, 5PM-8
PDX Contemporary has word geometry by Victoria Haven from Seattle. The work is elegant and minimal, perfect for PDX. At PDX Contemporary Art www.pdxcontemporaryart.com 925 NW Flanders Map early close 8PM
Laura Russo Gallery has Whitney Nye, known for finely detailed collage paintings, with a field of repeating elements. At Laura Russo Gallery www.laurarusso.com 805 NW 21st
P:ear has work by Jennifer Mercede, Flora S. Bowley, Sarah Cruise, Mia Nolting and Nicole Linde working with P:ear youth. At P:EAR www.pearmentor.org 338 NW 6th
Off the Westside art grid, Appendix Project Space on Alberta has a performance 4More by Carlos Gonzalez. Always a lively spot for experimental performance. At Appendix Project Space. On the alley between 26th and 27th, South of Alberta. www.appendixspace.com Map 6-10ish Free
And stop by the Everett Lofts...
Christine Clark has been infecting metal students at Oregon College of Arts and Crafts with contemporary for some time. Her own work has run recently to very detailed wire constructions. The work is at the Nine Gallery inside Blue Sky, an artist formed and run gallery specializing in installation and contemporary work. The Nine Gallery inside Blue Sky 122 NW 8th
Courier Coffee continues its art program with a group show. The space alternates between guest curators and guest artists. This show, themed Intuition, includes Portland, Austin, SF, LA, Guatemala and other contributions. DJ from House of Records spinning international rock, soul and funk. At Courier Coffee. 923 SW Oak 5PM-late
The revenge of the Oregon Painting Society is a double show at PSU. Society collective member Jason Traeger shows New Perspectives in Cave Painting. Painting Society proper shows now you c me now you don't / joker n the deck. Trager in Autzen Gallery - Second floor, PSU Neuberger Hall, Room 205, 724 SW Harrison Society in AB Lobby Gallery, PSU Art Department Building Lobby, 2000 SW 5th. While you are there check another show in the upstairs gallery. All three, 5PM-8
PDX Contemporary has word geometry by Victoria Haven from Seattle. The work is elegant and minimal, perfect for PDX. At PDX Contemporary Art www.pdxcontemporaryart.com 925 NW Flanders Map early close 8PM
Laura Russo Gallery has Whitney Nye, known for finely detailed collage paintings, with a field of repeating elements. At Laura Russo Gallery www.laurarusso.com 805 NW 21st
P:ear has work by Jennifer Mercede, Flora S. Bowley, Sarah Cruise, Mia Nolting and Nicole Linde working with P:ear youth. At P:EAR www.pearmentor.org 338 NW 6th
Off the Westside art grid, Appendix Project Space on Alberta has a performance 4More by Carlos Gonzalez. Always a lively spot for experimental performance. At Appendix Project Space. On the alley between 26th and 27th, South of Alberta. www.appendixspace.com Map 6-10ish Free
And stop by the Everett Lofts...
February 3 Innovation Energy
Energy Innovation, I'm for it. Tonight Roger Pielke, political scientist, working at the intersection of energy policy and technology research offers an energy innovation prescription. The sponsors, Illahee, are well known for finding the smartest speakers operating at the leading edge of thinking on contemporary challenges, and their solution. Tickets in advance recommended to beat the crush at www.illahee.org First Congregational Church, 1126 SW Park 7PM $20
February 3 The Harmonious Society
Our view of another country, itself made up of large numbers of independent individuals, is by nature vague, or false, or both, even for those paying attention. So with China. That doesn't mean it doesn't matter or that we shouldn't try. Today is an opportunity to do so.
The harmonious society, 和谐社会, is an abstraction and slogan capturing an engineered vision of Confucianism and a contented middle class. It is really not a bad idea, perhaps it is like 1950's America. But the intense pace of change in China, growth in GDP of about 10% yearly for 30 years, has strained that society.
Part of that engineering is evolving the role of law. It can support the government or challenge it, as it does here. Law professor Margaret Lewis studies the question and presents her analysis on the evolving role of law in China. Cosponsored by the NW China Council, the World Affairs Council and the UofO at the White Stag Building, Room 142/144, 70 NW Couch, noon-1:30 Free
The harmonious society, 和谐社会, is an abstraction and slogan capturing an engineered vision of Confucianism and a contented middle class. It is really not a bad idea, perhaps it is like 1950's America. But the intense pace of change in China, growth in GDP of about 10% yearly for 30 years, has strained that society.
Part of that engineering is evolving the role of law. It can support the government or challenge it, as it does here. Law professor Margaret Lewis studies the question and presents her analysis on the evolving role of law in China. Cosponsored by the NW China Council, the World Affairs Council and the UofO at the White Stag Building, Room 142/144, 70 NW Couch, noon-1:30 Free
February 2 Second Story Moving Targets
Video art, sit down cinema, VJing and architectural video mapping are all close cousins. If they were presented sit down-style by an interactive firm, they would be called design films. That is what they are tonight.
Second Story defines this program as short self initiated work, not for client. If you know Portland, you might recognize some of the creators: MK12, Jeff Scher, Tomorrow Partners, Mark Owens, Everynone, Secondary School, Jiaren Hui, Bran Dougherty-Johnson, PSST! Pass It On, Chris Lael Larson, goodfocus, Alex Cornell, 3 Legged Legs, Nadia Tzuo, Joe Hollier, Andrew Sloat, Rob Tyler and Feel Good Anyway.
It's a great evening which we hope becomes regular. Arranged by Second Story in association with AIGA, the Moving Targets program http://blog.secondstory.com/moving-targets premieres this evening at 714 N Fremont St #200 7PM-9 Free
Second Story defines this program as short self initiated work, not for client. If you know Portland, you might recognize some of the creators: MK12, Jeff Scher, Tomorrow Partners, Mark Owens, Everynone, Secondary School, Jiaren Hui, Bran Dougherty-Johnson, PSST! Pass It On, Chris Lael Larson, goodfocus, Alex Cornell, 3 Legged Legs, Nadia Tzuo, Joe Hollier, Andrew Sloat, Rob Tyler and Feel Good Anyway.
It's a great evening which we hope becomes regular. Arranged by Second Story in association with AIGA, the Moving Targets program http://blog.secondstory.com/moving-targets premieres this evening at 714 N Fremont St #200 7PM-9 Free
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