Three new shows take Adams and Ollman Gallery to mid-December when the pandemic should be over amiright?
Joy Feasley has Lysuslukker, abstract and impressionistic romantic landscapes, paintings and silk screen on photographs. Emma cc Cook has impressionistic black, grey and white landscape paintings of barns and billboards in the countryside of her base in Austin and around the Midwest and South. Vince Skelly has In Between, softwood sculptures.
At Adams and Ollman Gallery, the second of two members of the New Art Dealers Alliance www.newartdealers.org, www.adamsandollman.com 418 NW 8th 1PM-4 Free
Natalie Ball collaborates with artist Annelia Hillman in Water:NFS, themed on water problems in the Klamath Basin. The artists speak at 6. Lucy Cotter is a well known curator. This is her last show of her curatorial residency at Oregon Contemporary. It is Proximities, a rehearsal, an archive by Katarina Zdjelar of Serbia. She represented Serbia at the 2009 Venice Biennale.
At the Oregon Center for Contemporary Art, in the shadow of Paul Bunyan www.oregoncontemporary.org 8371 N. Interstate Map 5PM-8 Free
A group show, Nobody's Fool, closes tonight. At Carnation Contemporary www.carnationcontemporary.com in the Disjecta building 8371 N Interstate#2. 5PM-8 Free
Bottoms Up by Jeremy LeGrand, and Murmurs by Nathanael Moss, open. The works of each are colorful and graphic. At Well Well Projects www.wellwellprojects.com in the Disjecta building 8371 N. Interstate#1 Map 5PM-8 Free
