Friday, April 24, 2015

April 25 Over and Back Sum Meat Vibrations Are In No Great Hurry

Over and Back, abstractly themed on a basketball rule, is a group show by Terry Boyd, Carolyn Castaño, Amanda Leigh Evans, Greg Hayes and Hand2Mouth Theater. There is a talk by the artists at 11AM at Likewise. The show itself is in the evening at Surplus Space.

Over and Back overandback2015.wordpress.com at Likewise www.likewise.website 3564 SE Hawthorne 11AM Free

And at Surplus Space www.surplusspace.info 3726 NE 7th 6PM-10 Free



Conversations with Artists for the Sum of Its Parts show continues this afternoon with sculptor Ellen Wishnetsky-Mueller. At Jeffrey Thomas Fine Art www.jeffreythomasfineart.com 2219 NW Raleigh Doors 3PM, talk 4 Free



Damien Gilley presents a one night installation and releases a book, Vibrations. Gilley is known for mathematically-driven large scale architectural graphics. You may have seen at Little Big Burger. At Carl & Sloan Contemporary www.carlsloan.com in the Disjecta building. 8371 N Interstate Ave #1 Map 6PM-10 Free



HQHQ complete a three week residency, The Chicken and the Hog, by John Knight. The project is based on the measurements reported on the weight and value of pigs slaughtered for food. Pigs are smart and they can uncurl their tails. Between elephants, whales, dolphins on through food fish, cows, chickens and shellfish, all of which we delight in ending, they are probably far above the median in the great chain of being. Knight based his work on the National Daily Base Lean Hog Carcass Slaughter Cost reported by the United States Department of Agriculture. The description on the HQHQ website is much more surreal. Tonight is the closing reception. At HQHQ Project Space hq-objective.info 232 SE Oak St #108 6PM-9 Free



In no Great Hurry - 13 Lessons in Life with Saul Leiter is a documentary interview with the photographer-painter artist. Leiter worked as a fashion photographer. He also made contributions to street photography in the art world. The world only became aware of his paintings late in his life. He passed in 2013. The Ampersand website has a more eloquent description of his work and the film, sure to be poignant. What is sad is that respect has come posthumously, fully exploited by the art-making machinery. At Ampersand Vintage Printed Material www.ampersandvintage.com 2916 NE Alberta, Ste B. Map 7:30 Free